粤剧在夏威夷的传播与接受:1879—1929
发布时间：2019-01-29 05:46
【摘要】：本文以华人戏院为主线,研究1879—1929年粤剧在夏威夷的传播与接受。1879年夏季,夏威夷第一家华人戏院落成,五年后拆除。尔后,两家华人戏院开张。粤剧表演不仅吸引了大批华人观众,也受到许多白人和夏威夷土著居民的追捧。另一方面,锣鼓等乐器产生的巨大声响经常遭到附近居民的投诉,被警方突袭。1900年的大火焚毁了两家戏院。嗣后,两家更大的华人戏院建成,并展开激烈的竞争。同时,粤剧服装、音乐和做工与英语对白相融合的戏剧形式出现在夏威夷的舞台上。粤剧表演不再是纯粹的商业性娱乐活动,逐渐被赋予多种社会功能:呼应国内反抗清王朝的斗争,参与公益筹款活动,彰显华人民族身份,塑造夏威夷的多元文化。
[Abstract]:This paper studies the spread and acceptance of Cantonese opera in Hawaii from 1879 to 1929. The first Chinese theater in Hawaii was completed in the summer of 1879 and demolished five years later. Then two Chinese theatres opened. Cantonese opera not only attracted a large number of Chinese audience, but also many white and native Hawaiian people. On the other hand, loud noises from instruments such as gongs and drums are often complained of by nearby residents and raided by police. Two theatres were destroyed by fire in 1900. Later, two larger Chinese theatres were built, and fierce competition began. At the same time, Cantonese opera costumes, music and workmanship, combined with English dialogue, appeared on the Hawaiian stage. Cantonese opera performance is no longer a purely commercial entertainment activity, but has gradually been given a variety of social functions: echo the struggle against the Qing Dynasty, participate in public welfare fund-raising activities, highlight the national identity of the Chinese, and shape the multicultural culture of Hawaii.
【作者单位】： 华东师范大学外语学院;
【基金】：国家社科项目“中国戏曲在美国的传播与接受研究”(批准号14BZW103)的阶段性成果 加州大学尔湾分校中美“富布赖特”研究学者项目 上海市哲学社会科学规划课题的资助
【分类号】：J825
本文编号：2417704
[Abstract]:This paper studies the spread and acceptance of Cantonese opera in Hawaii from 1879 to 1929. The first Chinese theater in Hawaii was completed in the summer of 1879 and demolished five years later. Then two Chinese theatres opened. Cantonese opera not only attracted a large number of Chinese audience, but also many white and native Hawaiian people. On the other hand, loud noises from instruments such as gongs and drums are often complained of by nearby residents and raided by police. Two theatres were destroyed by fire in 1900. Later, two larger Chinese theatres were built, and fierce competition began. At the same time, Cantonese opera costumes, music and workmanship, combined with English dialogue, appeared on the Hawaiian stage. Cantonese opera performance is no longer a purely commercial entertainment activity, but has gradually been given a variety of social functions: echo the struggle against the Qing Dynasty, participate in public welfare fund-raising activities, highlight the national identity of the Chinese, and shape the multicultural culture of Hawaii.
【作者单位】： 华东师范大学外语学院;
【基金】：国家社科项目“中国戏曲在美国的传播与接受研究”(批准号14BZW103)的阶段性成果 加州大学尔湾分校中美“富布赖特”研究学者项目 上海市哲学社会科学规划课题的资助
【分类号】：J825
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1 刘睿;夏威夷电影节天堂里的聚会[J];中国会展;2005年21期
，本文编号：2417704
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