论《跃鲤记》声腔特色与角色语言舞台适应性
发布时间：2019-02-09 15:22
【摘要】：富春堂本《跃鲤记》是一部常演不衰的民间经典传奇。文章从音乐与方言两方面研究该剧声腔特色。音乐方面,宫调混杂、一曲通底和常用曲调反复叠唱,民间戏曲特色显著。在演唱形式上群体性演唱曲多于个体性演唱曲,弋阳腔传奇便是群体性曲子多,对唱曲多,再加上锣鼓伴奏,听起来相当热闹。方言方面,喜用齐韵,支思韵、微韵、鱼模韵混入齐韵现象相当普遍,原因是这些不同韵部的字在弋阳腔中有不少本来就是齐韵字。弋阳方言词汇在剧中也很突出,可见,该剧富有弋阳腔声腔特色。文章还以丑扮秋娘和净扮姜婆为对象,探讨了该剧角色语言的民间舞台适应性。
[Abstract]:Fu Chun Tong Ji Yue carp is a folk classic legend often performed. This paper studies the vocal features of the play from the aspects of music and dialect. In the aspect of music, the palace tune is mixed, and the common tunes are repeated repeatedly, and the folk opera has remarkable characteristics. In the form of singing, the group song is more than the individual song, the Yiyang song legend is the group song more than the other, plus the accompaniment of the gongs and drums, it sounds quite lively. In dialect, it is very common to mix Qi rhyme, Zhi Si Yun, Wei Yun and Yu model rhyme with Qi rhyme. The reason is that there are many characters in Yiyang dialect. The vocabulary of Yiyang dialect is also prominent in the play. The article also discusses the folk stage adaptability of the role language of the play, taking Qiu Niang as an ugly woman and Jiang as a net woman as an object.
【作者单位】： 华侨大学文学院;
【分类号】：J825
，
本文编号：2419097
[Abstract]:Fu Chun Tong Ji Yue carp is a folk classic legend often performed. This paper studies the vocal features of the play from the aspects of music and dialect. In the aspect of music, the palace tune is mixed, and the common tunes are repeated repeatedly, and the folk opera has remarkable characteristics. In the form of singing, the group song is more than the individual song, the Yiyang song legend is the group song more than the other, plus the accompaniment of the gongs and drums, it sounds quite lively. In dialect, it is very common to mix Qi rhyme, Zhi Si Yun, Wei Yun and Yu model rhyme with Qi rhyme. The reason is that there are many characters in Yiyang dialect. The vocabulary of Yiyang dialect is also prominent in the play. The article also discusses the folk stage adaptability of the role language of the play, taking Qiu Niang as an ugly woman and Jiang as a net woman as an object.
【作者单位】： 华侨大学文学院;
【分类号】：J825
，
本文编号：2419097
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