歌剧《孔子》中孔子的形象塑造和演唱分析

发布时间：2019-02-13 16:06

【摘要】：身为美声歌剧表演艺术研究方向的硕十研究生,我深知表演艺术的发展进步必须经历：理论实践再理论,这样一种不断总结不断发展的过程。我选此题,旨在结合我的所学所演所感,进行整理总结和阐述,更好地为今后的研究和实践作铺垫,为以后实践和理论相结合的发展努力。理论意义和实际应用：第一、在现在中国原创歌剧不断创新、发展,得到有越来越多的观众的喜爱以及越来越多学生投入到专业学习的的环境下,全面提高表演者的综合素质显得尤为要。第二、歌剧《孔子》中“孔子”这一角色是一个典型的史诗歌剧角色,演好这一角色,从而举一反三进行其他歌剧人物的艺术塑造具有借鉴性意义。西洋歌剧从诞生至今已有几百年历史,尤其是意大利的歌剧发展成熟,并产生了大量的研究类文献。而我国的中国原创歌剧从1945年诞生的第一部民族歌剧至今,时间不长,歌剧发展尚不成熟,可供参考、学习的资料也较为有限。歌剧《孔子》创作于2007年,它借鉴了意大利歌剧的创作形式,又融入了古诗词的语言形式,以及中国古琴的音乐风格和的音乐元素,讲述的是中国著名的“儒家”创始人孔子的一生。中国原创歌剧还处于不断摸索发展的过程中。如何巧妙借鉴中外声乐、表演艺术的优点；如何塑造好、演绎好中国歌剧中的人物,并将纯正的美声唱法、中国古代的文言文以及中国古典音乐相结合都是值得深思和研究的课题。目前国内关于歌剧中“孔子”的文章有很多,但大多是从“儒家”作为切入点谈思想、而用歌剧中单个角色作为切入点并且深化全面研究的论文几乎没有,因此我认为我的选题是有意义的。所阅文献的查阅范围及研究方法：我将会通过自己当时的演出影像、仔细研究原创歌剧剧本、参考网上的很多“儒家”思想的文章来和大家谈谈我思路整理的内容(与本课题相关文章很多篇)结合一些其他原创歌剧研究,进行分析,实践与总结归纳,完成一篇研究论文。
[Abstract]:As a graduate student in the research direction of opera performing art, I know that the development and progress of performing art must go through: theory and practice and theory, which is a process of continuous summing up and developing. I choose this question, in order to combine what I have learned, summarize and expound, better for the future research and practice, for the future practice and theory of the development of the combination of efforts. Theoretical significance and practical application: first, in the current Chinese original opera innovation, development, has been more and more popular with the audience and more students into the professional learning environment, It is particularly important to improve the comprehensive quality of performers. Second, the role of "Confucius" in opera "Confucius" is a typical epic opera role. Western opera has a history of several hundred years since its birth, especially the Italian opera has developed mature, and produced a large number of research literature. Since the birth of the first national opera in 1945, the time of Chinese original opera has not been long, the development of opera is not mature, can be referred to, and the learning materials are relatively limited. The opera "Confucius" was created in 2007. It draws lessons from the Italian opera, integrates the language form of ancient poetry, and the musical style and musical elements of the Chinese Guqin. The story is about the life of Confucius, the founder of the famous Confucian School in China. Chinese original opera is still in the process of continuous exploration and development. How to skillfully learn from the advantages of Chinese and foreign vocal music and performing art; How to shape and interpret the characters in Chinese opera and combine the pure Bel canto, classical Chinese and Chinese classical music are worthy of deep thinking and research. At present, there are a lot of articles about Confucius in operas, but most of them talk about ideas from the point of view of Confucianism, but there are few papers that use the single role in opera as the breakthrough point and deepen the comprehensive research. So I think my topic is meaningful. The scope and methodology of the literature I read: I will study the original opera script carefully through my own performance images. Refer to a lot of "Confucian" articles on the Internet to talk to you about the contents of my thinking arrangement (many articles related to this subject), combined with some other original opera research, to analyze, practice and summarize. Complete a research paper.
【学位授予单位】：中国音乐学院
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J822

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