论黄河三角洲东路梆子的音乐特色
发布时间：2019-02-24 16:34
【摘要】：辉煌灿烂的中国戏曲艺术，，集中华文化之精华，堪称中国艺术的瑰宝。地处南北交通枢纽的山东，一直是经济和文化较发达的地区，也是戏曲艺术的繁荣之地。中国的317个剧种（《中国大百科全书．戏曲曲艺卷》），山东就有30几个，其戏曲声腔类型有梆子腔系统、弦索腔系统、肘鼓子腔系统、“歌舞——戏曲”系统和“说唱——戏曲”系统等。其中梆子腔剧种有山东梆子、莱芜梆子、东路梆子、枣梆、靠山梆子、大平调等。 山东黄河三角洲地区的戏曲剧种也有数十个，其中东路梆子是该地区特有的梆子腔剧种。在清前中期由山陕梆子流传到该地区，并吸收当地的民歌、曲艺等民间音乐艺术形式，结合当地的方言而形成。由于此梆子腔在章丘最为流行，遂起名为章丘梆子，后为与河北梆子区分故又名为“东路梆子”。当时的东路梆子与京剧、河北梆子、吕剧、五音戏等剧种组合成“三合班”或“五六合班”1同台演出，并从中吸取营养，汲取精华，丰富和发展了东路梆子的唱腔。同时也影响着山东地区其他的戏曲剧种。 本文主要运用了音乐史学、音乐传播学、民族音乐学及音乐分析学的方法对东路梆子的渊源发展、音乐特点等方面作了较深入的研究。 本文内容主要分为五部分：一、论题的由来及其研究意义，包括当前东路梆子的研究现状，本论文研究的目的和意义以及笔者在前人研究的基础上力求所做的突破。二、笔者运用音乐史学和音乐传播学的方法对东路梆子的渊源和发展脉络方面做了分析。三、音乐本体方面，笔者运用音乐分析学的方法对东路梆子的板式、声腔、结构体制、演唱方法、乐队等方面作了补充和突破。其中板式方面主要对其称谓、分类和同名异板、同板异名的问题做了分析。声腔方面，对东路梆子的整体声腔旋律特点、声腔中梆子腔的特点、其他曲牌声腔的特点及声腔与唱词关系方面做了研究。结构体制方面，对东路梆子的整体性结构体制和唱段式结构体制（唱词格式特点、起腔落板、伴奏过门）两个层面加以探讨。演唱方面，对东路梆子的发声特色和润腔（字正的润腔和腔圆的润腔）特色做了重点研究。四、在论证其音乐本体的同时，对它与当地传统音乐（民歌、歌舞、说唱、其他剧种音乐、宗教音乐）互相渗透的关系作了初步的研究。五、结论，对东路梆子的渊源、音乐特色等方面作了简要的总结。
[Abstract]:Brilliant Chinese opera art, the essence of Chinese culture, can be called the gem of Chinese art. Shandong, which is located at the transportation hub of north and south, has always been a more developed area of economy and culture, and also a prosperous place for opera art. In China, there are more than 30 operas in Shandong Province ("Chinese Encyclopedia of China.") there are three types of operas: Bangzi system, string cable system, elbow drum subcavity system. Song and dance-opera system and rap-opera system. Among them, Bangzi Opera has Shandong Bangzi, Laiwu Bangzi, Donglu Bangzi, date bang, Shushan Bangzi, big flat tone and so on. There are dozens of opera dramas in the Yellow River Delta area of Shandong Province, among which Donglu Bangzi is a unique Bangzi opera in this area. In the middle of Qing Dynasty, Shanshan Bangzi spread to the area, absorbing local folk songs, quyi and other folk music art forms, combined with the local dialect and formed. Because this Bangzi cavity is the most popular in Zhangqiu, then named Zhangqiu Bangzi, and Hebei Bangzi after the distinction is also known as "East Road Bangzi." At that time, Donglu Bangzi and Beijing Opera, Hebei Bangzi, Lu Opera, Wuyin Opera and other operas combined into "three classes" or "five six classes" to perform together, and draw nutrition, extract the essence, enriched and developed the tune of Donglu Bangzi. At the same time, it also affects other kinds of opera in Shandong area. This paper mainly uses the methods of music history, music communication, ethnomusicology and music analysis to study the origin and characteristics of Donglu Bangzi. The main content of this paper is divided into five parts: first, the origin of the topic and its research significance, including the current research status of Donglu Bangzi, the purpose and significance of this paper and the author's previous research on the basis of the breakthrough. Secondly, the author analyzes the origin and development of Donglu Bangzi by using the methods of music history and music communication. Thirdly, in the aspect of music Noumenon, the author uses the method of music analysis to supplement and break through Donglu Bangzi's board style, vocal cavity, structure system, singing method, band and so on. The title, classification, synonym and synonym of the plate are analyzed. In the aspect of vocal cavity, the characteristics of the whole tune of Donglu Bangzi, the characteristic of Bangzi in the cavity, the characteristics of other pieces and the relationship between the tune and the words are studied. In terms of structural system, this paper probes into the whole structure system of Donglu Bangzi and the segmental structure system (the characteristics of phonetic form, the falling board of the cavity and the accompaniment passing through the door). In the aspect of singing, the characteristics of vocalization and runing of Donglu Bangzi are studied. At the same time, the relationship between it and local traditional music (folk song, song and dance, rap, other drama music, religious music) is studied preliminarily. Fifth, the conclusion, the origin of Donglu Bangzi, music characteristics and other aspects made a brief summary.
【学位授予单位】：山东艺术学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J825
本文编号：2429728
[Abstract]:Brilliant Chinese opera art, the essence of Chinese culture, can be called the gem of Chinese art. Shandong, which is located at the transportation hub of north and south, has always been a more developed area of economy and culture, and also a prosperous place for opera art. In China, there are more than 30 operas in Shandong Province ("Chinese Encyclopedia of China.") there are three types of operas: Bangzi system, string cable system, elbow drum subcavity system. Song and dance-opera system and rap-opera system. Among them, Bangzi Opera has Shandong Bangzi, Laiwu Bangzi, Donglu Bangzi, date bang, Shushan Bangzi, big flat tone and so on. There are dozens of opera dramas in the Yellow River Delta area of Shandong Province, among which Donglu Bangzi is a unique Bangzi opera in this area. In the middle of Qing Dynasty, Shanshan Bangzi spread to the area, absorbing local folk songs, quyi and other folk music art forms, combined with the local dialect and formed. Because this Bangzi cavity is the most popular in Zhangqiu, then named Zhangqiu Bangzi, and Hebei Bangzi after the distinction is also known as "East Road Bangzi." At that time, Donglu Bangzi and Beijing Opera, Hebei Bangzi, Lu Opera, Wuyin Opera and other operas combined into "three classes" or "five six classes" to perform together, and draw nutrition, extract the essence, enriched and developed the tune of Donglu Bangzi. At the same time, it also affects other kinds of opera in Shandong area. This paper mainly uses the methods of music history, music communication, ethnomusicology and music analysis to study the origin and characteristics of Donglu Bangzi. The main content of this paper is divided into five parts: first, the origin of the topic and its research significance, including the current research status of Donglu Bangzi, the purpose and significance of this paper and the author's previous research on the basis of the breakthrough. Secondly, the author analyzes the origin and development of Donglu Bangzi by using the methods of music history and music communication. Thirdly, in the aspect of music Noumenon, the author uses the method of music analysis to supplement and break through Donglu Bangzi's board style, vocal cavity, structure system, singing method, band and so on. The title, classification, synonym and synonym of the plate are analyzed. In the aspect of vocal cavity, the characteristics of the whole tune of Donglu Bangzi, the characteristic of Bangzi in the cavity, the characteristics of other pieces and the relationship between the tune and the words are studied. In terms of structural system, this paper probes into the whole structure system of Donglu Bangzi and the segmental structure system (the characteristics of phonetic form, the falling board of the cavity and the accompaniment passing through the door). In the aspect of singing, the characteristics of vocalization and runing of Donglu Bangzi are studied. At the same time, the relationship between it and local traditional music (folk song, song and dance, rap, other drama music, religious music) is studied preliminarily. Fifth, the conclusion, the origin of Donglu Bangzi, music characteristics and other aspects made a brief summary.
【学位授予单位】：山东艺术学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J825
【参考文献】
相关期刊论文 前3条
1 孙才顺;黄河三角洲文化研究刍议[J];滨州师专学报;2002年01期
2 阳梅;;程砚秋京剧润腔分析——以《荒山泪》、《锁麟囊》为例[J];齐鲁艺苑;2011年04期
3 王少兰;;“东路梆子”在民间[J];前进论坛;2009年11期
本文编号：2429728
本文链接：https://www.wllwen.com/wenyilunwen/xijuwudaolunwen/2429728.html
