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歌剧《里纳尔多》中阿尔米达的咏叹调解析

发布时间:2019-03-03 11:10
【摘要】:巴洛克时期的歌剧对于今天的歌剧表演具有重要意义,而亨德尔是巴洛克时期正歌剧的代表性人物,《里纳尔多》则是亨德尔一部成功的正歌剧作品。在《里纳尔多》中,亨德尔对女高音角色阿尔米达进行了出色的音乐刻画。阿尔米达在剧中的唱段主要包括《可怕的复仇女神》(Furie terribili)、《充满渴望》(Moltovoglio)、《啊!残忍》(Ah!crudel)、《我想要战斗》(Vo' farguerra)四首咏叹调。对这四首咏叹调的研究是本文的重点所在。本文对阿尔米达咏叹调的研究立足于亨德尔《里纳尔多》的创作背景及1711年《里纳尔多》首演的版本,结合学习心得,逐步加以展开。本文分为三大部分:亨德尔与歌剧《里纳尔多》以及角色阿尔米达的分析、阿尔米达四首咏叹调音乐结构分析、阿尔米达四首咏叹调的演唱处理分析。通过这些分析,我们可以把握阿尔米达立体的人物形象和演唱其唱段时的技巧处理,认识亨德尔歌剧的创作风格,进一步理解巴洛克时期的正歌剧。
[Abstract]:The opera of Baroque period is of great significance to today's opera performance. Hendell is a representative figure of the classical opera of Baroque period, and Rinaldo is a successful classical opera work of Handel. In Rinaldo, Hendel performed an excellent musical portrayal of Almida, the soprano character. Almida's songs in the play mainly include "terrible Nemesis" (Furie terribili), < full of desire > (Moltovoglio), < ah! "cruelty" (Vo' farguerra) four aria. "I want to fight." The study of these four aria is the focus of this paper. The research of Armida aria in this paper is based on Hendel Rinaldo's creation background and the first edition of Rinaldo in 1711, combining with the learning experience, it is carried out step by step. This paper is divided into three parts: Handel and the opera "Rinaldo" as well as the analysis of the character Almida, the analysis of the music structure of Almida's four aria, and the analysis of the singing processing of the four aria of Almida. Through these analyses, we can grasp the three-dimensional character image of Almida and the skill of singing it, understand the creative style of Hendel's opera, and further understand the classical opera of Baroque period.
【学位授予单位】:山东大学
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J617.2

【参考文献】

相关期刊论文 前2条

1 杨玲玲;;亨德尔歌剧《里纳尔多》的音乐分析[J];大舞台;2013年09期

2 曹悦孙;亨德尔歌剧《里那尔多》介绍[J];齐鲁艺苑;1998年03期

相关硕士学位论文 前1条

1 倪海霞;亨德尔伦敦时期女高音歌剧咏叹调研究[D];华东师范大学;2007年



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