以八首经典重唱为例谈西方歌剧中的重唱艺术

发布时间：2019-03-05 15:46

【摘要】：歌剧是将音乐、戏剧、文学、舞蹈、建筑、美术等独立艺术综合而成,并以歌唱为主的舞台表演艺术。重唱作为歌剧的重要组成部分,其不仅丰富了歌剧本身,而且也极大地提高了人声的艺术表现力。重唱的艺术魅力早在歌剧诞生之初就凸显出来,从巴洛克时期的蒙特威尔第、切斯蒂,到古典主义时期的莫扎特、贝多芬;从浪漫主义时期的威尔第、普契尼,到民族乐派的斯美塔那、格林卡,几乎所有的大师在进行歌剧创作时,都看到了重唱的艺术价值。它既可以让各声部抒发一种情感、描写一种统一的音乐形象,又可以让各角色各持己见、表现一种对立的戏剧性矛盾。本文从重唱的分类入手,对不同时期不同语言不同国别的作曲家的经典重唱片段一一进行分析,发掘重唱的艺术价值和艺术魅力。让大众能更全面的了解歌剧,让声乐学习者能更专业的审视重唱,并为重唱在专业院校的发展尽微薄之力。
[Abstract]:Opera is a stage performing art which combines music, drama, literature, dance, architecture, fine arts and so on. As an important part of opera, chorus not only enriches the opera itself, but also greatly improves the artistic expression of human voice. The artistic charm of chorus was highlighted at the beginning of opera, from Monte Verdi, Chesti in Baroque period to Mozart and Beethoven in the period of classicism; From Verdi, Puccini in the Romantic period to Smetana and Greenka in the national music school, almost all masters saw the artistic value of the chorus in their operas. It can not only make each part express an emotion, describe a kind of unified music image, but also let each character have different opinions and show a kind of opposite dramatic contradiction. Starting with the classification of chorus, this paper analyzes the classical chorus fragments of composers in different periods, languages and countries, and explores the artistic value and artistic charm of the chorus. So that the public can more comprehensive understanding of opera, so that vocal learners can more professional examination of the chorus, and for the development of professional colleges and universities to play a modest role.
【学位授予单位】：天津音乐学院
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J832

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