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河南曲剧之【阳调】源流考辨

发布时间:2019-03-13 10:08
【摘要】:【阳调】是河南曲剧唱腔中应用最广的唱腔。【阳调】的来源,目前理论界有三种观点:第一种观点认为【阳调】来源于【凤阳歌】;第二种观点认为【阳调】出自【孟姜女哭长城】,后随凤阳花鼓艺人传唱流入中原;第三种观点认为【阳调】来自扬州。本文通过对以上三种观点的分析,认为【阳调】脱胎于【孟姜女调】,发展过程中曾受当地"土曲子"的影响,凤阳花鼓艺人对其流播起到重要的作用。
[Abstract]:[Yang tune] is one of the most widely used vocals in Henan qu Opera. At present, there are three viewpoints in theorists: the first point of view is that [Yang tune] comes from [Fengyang Song]; The second point of view is that [Yang tune] comes from [Meng Jiangnv cries the Great Wall] and then flows into the Central Plains with Fengyang flower-drum entertainers. The third point of view is that [Yang tune] comes from Yangzhou. Based on the analysis of the above three points of view, this paper holds that [Yang tune] was born out of [Meng Jiangnv's tune] and was influenced by local "local tunes" in the process of development. Fengyang Flower and Drum Artist played an important role in its spreading.
【作者单位】: 河南师范大学音乐舞蹈学院;
【基金】:2013年河南省教育厅人文社科重点课题资助项目,项目编号:2013-ZD-096 2013年河南师范大学教育科学研究项目资助项目
【分类号】:J617.5


本文编号:2439300

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