黄沙对越剧导演艺术的贡献研究
发布时间：2019-03-16 13:14
【摘要】：黄沙是著名的学者型越剧导演艺术家,他在当代越剧史上有着重要的地位。本文从三个方面论述了黄沙对于越剧导演艺术的贡献,即一是执导剧目的全面开花,其中以老戏新唱成就最大。文中分别从黄沙三个传统剧代表作《梁山伯与祝英台》、《碧玉簪》、《盘夫索夫》的主要导演手法出发,从中总结黄沙老戏新唱的艺术特色。黄沙的老戏新唱不刻意卖弄技艺、不盲目堆砌新奇,是从剧本出发、注重人物刻画、在保留传统的基础上展现老戏新貌;二是黄沙的理论建树,主要围绕黄沙的剧种风格论展开论述,内容涉及剧种风格论、戏曲虚实论及剧本基础论。黄沙坚持以维护剧种风格为重的发展观点是当今越剧改革发展值得参考的宝贵经验;三是黄沙对于培养新人所做的贡献。黄沙将培养新人的工作落实到具体的艺术实践,主要体现在他帮助青年演员创造角色。当年金采风、刘觉、张国华、史济华等青年演员在刻画人物、创造角色方面都得到过黄沙的启发与指导。黄沙全力以赴履行指导新人的工作,为舞台培养了一批优秀青年演员的同时也成就了观众喜爱的越剧作品。本文通过对黄沙导演的实践与理论成果的分析,总结黄沙导演事业中的成功经验,为新形势下的越剧导演及越剧发展之路寻找可借鉴之道。
[Abstract]:Huang Sha is a famous scholar-directed artist of Yue Opera, who plays an important role in the history of contemporary Yue Opera. This paper discusses the contribution of Huang Sha to the art of Yue opera director from three aspects, that is, the full bloom of the directing repertoire, among which the new singing achievement of the old opera is the greatest. This paper summarizes the artistic characteristics of the new singing of Huangsha's old opera from the main directing techniques of the three representative plays of Huangsha: Liang Shanbo and Zhu Yingtai, Jasper Hosta, and Panfsov, which are the main directing techniques of Huangsha's three traditional dramas, namely Liang Shanbo and Zhu Yingtai, Jasper Hosta and Panfsov. Huang Sha's old opera new singing does not deliberately show off skills, does not blindly pile up novelty, is from the script, pay attention to character portrayal, on the basis of preserving the tradition to show the old drama new appearance; The second is Huang Sha's theoretical contribution, mainly focusing on Huang Sha's style theory of drama, the content of which is related to the style theory of drama, and the theory of fiction and reality of opera and the basic theory of script. Huang Sha's insistence on maintaining the style of operas is a valuable experience in the reform and development of Yue Opera, and the third is Huang Sha's contribution to the cultivation of new people. Huang Sha will cultivate new people's work into specific artistic practice, mainly reflected in his help young actors to create roles. At that time, young actors such as Jin Caifeng, Liu Jue, Zhang Guohua, and Shi Jihua were inspired and guided by Huang Sha in portraying characters and creating roles. Huang Sha devoted all his efforts to guiding the new people, training a group of outstanding young actors for the stage, but also achieved the audience's favorite works of Yue opera. Based on the analysis of the practice and theoretical achievements of Huangsha director, this paper summarizes the successful experience of Huangsha director's career, and looks for a way to draw lessons from the development of Yue opera director and Yue opera in the new situation.
【学位授予单位】：上海戏剧学院
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J825
[Abstract]:Huang Sha is a famous scholar-directed artist of Yue Opera, who plays an important role in the history of contemporary Yue Opera. This paper discusses the contribution of Huang Sha to the art of Yue opera director from three aspects, that is, the full bloom of the directing repertoire, among which the new singing achievement of the old opera is the greatest. This paper summarizes the artistic characteristics of the new singing of Huangsha's old opera from the main directing techniques of the three representative plays of Huangsha: Liang Shanbo and Zhu Yingtai, Jasper Hosta, and Panfsov, which are the main directing techniques of Huangsha's three traditional dramas, namely Liang Shanbo and Zhu Yingtai, Jasper Hosta and Panfsov. Huang Sha's old opera new singing does not deliberately show off skills, does not blindly pile up novelty, is from the script, pay attention to character portrayal, on the basis of preserving the tradition to show the old drama new appearance; The second is Huang Sha's theoretical contribution, mainly focusing on Huang Sha's style theory of drama, the content of which is related to the style theory of drama, and the theory of fiction and reality of opera and the basic theory of script. Huang Sha's insistence on maintaining the style of operas is a valuable experience in the reform and development of Yue Opera, and the third is Huang Sha's contribution to the cultivation of new people. Huang Sha will cultivate new people's work into specific artistic practice, mainly reflected in his help young actors to create roles. At that time, young actors such as Jin Caifeng, Liu Jue, Zhang Guohua, and Shi Jihua were inspired and guided by Huang Sha in portraying characters and creating roles. Huang Sha devoted all his efforts to guiding the new people, training a group of outstanding young actors for the stage, but also achieved the audience's favorite works of Yue opera. Based on the analysis of the practice and theoretical achievements of Huangsha director, this paper summarizes the successful experience of Huangsha director's career, and looks for a way to draw lessons from the development of Yue opera director and Yue opera in the new situation.
【学位授予单位】：上海戏剧学院
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J825
【参考文献】
相关期刊论文 前10条
1 灻沙;为什么看不墜导演的艺术[J];上海戏剧;1961年10期
2 黄沙;排《r-儿，
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