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乐亭大鼓的民俗性探究

发布时间:2019-03-17 08:38
【摘要】:河北乐亭自古经济发达、文化昌隆,热爱生活、钟情文化的乐亭人富而思乐,创造性地将民歌、民谣、戏曲、方言口语等融会成独特的旋律,并历经几代艺人的反复实践,逐步发展形成了具有浓郁地方特色说唱艺术-乐亭大鼓。乐亭大鼓重文采和修饰,有较高的文学性和思想性,说唱并重,以乐亭地区方言为依托,板式灵活,唱腔优美流畅。 但随着历史和文化的变迁、民俗环境的变化,乐亭大鼓地区流传的范围越来越小,能够演奏、演唱的艺人也越来越少。因此,乐亭大鼓的研究对于传统曲艺音乐文化的研究和曲艺传承的研究都有着非常重要的意义。 本文着重从乐亭大鼓的民俗性入手,从人文的高度,结合社会学、民俗学、美学的相关知识对乐亭大鼓各种民俗事象做一次较为理性的梳理,分析这些现象背后的深层原因。从研究方法上看,主要是在前人研究成果的基础上,以相关文献和资料为依据,并通过田野调查所获得的第一手资料进行综合性分析。本文主要从乐亭大鼓的自然及人文民俗背景;乐亭大鼓的历史渊源;乐亭大鼓本体的民俗艺术特征;及其与民俗生活的关系;在民间乐亭大鼓的传播、传承的现状等几个方面进行研究,希望籍此为乐亭大鼓民间音乐文化的研究提供更多的理论依据。
[Abstract]:Hebei Leting from ancient times developed economy, cultural Changlong, love life, love the culture of Leting people rich and thinking of music, creative folk songs, folk ballads, opera, spoken dialect and so on into a unique melody, and through the repeated practice of several generations of artists, Gradually developed into a rich local characteristics of rap and singing art-Leting drum. Leting drum emphasizes literary style and decoration, has higher literariness and ideological quality, pays equal attention to rap and singing, relies on the dialect of Leting area, is flexible in plate, and has a graceful and smooth singing style. However, with the change of history and culture and the change of folk custom environment, the scope of circulation in Datu area of Leting becomes smaller and smaller, and the artists who can play and sing are less and less. Therefore, the study of Leting drum is of great significance to the study of traditional music culture and the inheritance of qu art. This paper focuses on the folklore of Leting drum, from the height of humanities, combining with sociology, folklore and aesthetics, this paper makes a rational analysis of all kinds of folk customs phenomena of Leting drum, and analyzes the deep reasons behind these phenomena. From the perspective of research methods, mainly based on previous research results, based on the relevant literature and data, and through the field survey obtained first-hand data for a comprehensive analysis. This article mainly from the natural and human folk background of Leting drum; the historical origin of Leting drum; the folk art characteristics of the main body of Leting drum; and its relationship with folk life; In order to provide more theoretical basis for the study of folk music culture in the folk music pavilion, it is hoped that it can provide more theoretical basis for the study of folk music culture in the folk music pavilion, such as the dissemination and the present situation of inheritance and so on.
【学位授予单位】:河北大学
【学位级别】:硕士
【学位授予年份】:2009
【分类号】:J826

【引证文献】

相关硕士学位论文 前2条

1 胡金旭;乐亭大鼓文化审美研究[D];辽宁大学;2012年

2 朱景;山西高平鼓书调查与研究[D];山西师范大学;2013年



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