电视文化中的“二人转表演元素”
发布时间：2019-03-21 18:52
【摘要】：二人转,是在广泛的吸收各个其他艺术精髓的基础上,形成的一种集歌舞、说唱、戏曲等多种表现形式的一种民间艺术。它遍及于中国东北的辽宁、吉林、黑龙江三省及内蒙古自治区东部地区,是一种有说有唱、载歌载舞、生动活泼的走唱类曲艺形式。在历史的不断发展中,二人转逐渐形成了自己的独特风格,并积累了大量的曲牌和经典的剧目。发展至今,二人转也并没有故步自封,反而一直在顺应着时代发展的大潮流,不断的更新与完善着自己。如今的二人转,已经不仅仅只流行于传统二人转的舞台上,更将其独特的音乐文化渗透到电视文化的艺术当中。本文详细揭示了二人转艺术的历史渊源和发展过程,以大众文化艺术里电视文化中的二人转表演元素为主要研究对象,深度分析二人转在电视文化中的发展,并结合文献参考资料以及其中具有代表性的作品的个案分析,立足于音乐学和文化学的视角,把二人转表演元素还原到实际的社会人文生活环境当中,以此来阐述二人转在大众艺术中的发展及当下的二人转出现的一些问题,并对其以后的发展进行展望。全文由绪论、本论、结论三大模块组成。在绪论当中,主要介绍了研究背景与研究问题、发展至今的研究现状和运用的主要研究方法,交代了论文中的主要研究对象的相关问题。在本论中,又分为三部分:第一部分主要阐述了二人转元素在大众艺术中的具体体现;第二部分是对大众艺术中二人转表演元素的现象进行分析;第三部分是对二人转将来的发展给予了展望。在结论中,由当代电视文化中融合二人转表演元素的现象,披露了二人转的低俗问题,并对以后二人转的发展提出了个人的思考和建议。
[Abstract]:Erren Zhuan, on the basis of extensive absorption of the essence of various other arts, formed a folk art of various forms such as song and dance, rap, opera and so on. It is widely used in Liaoning, Jilin, Heilongjiang and the eastern region of Inner Mongolia Autonomous region in northeast China. It is a kind of singing and singing, singing and dancing, lively singing-like music art form. In the continuous development of history, Erren gradually formed his own unique style, and accumulated a large number of music cards and classical repertoire. So far, the two people have not been self-proclaimed, but have been in line with the trend of the development of the times, constantly updating and perfecting themselves. Nowadays, Erren is not only popular on the stage of traditional twinning, but also permeates its unique music culture into the art of TV culture. This article reveals in detail the historical origin and development process of the art of "Erren Zhuan", with the main research object of the acting elements of "Erren Zhuan" in the mass culture and art, and deeply analyzes the development of the "Erren Zhuan" in the television culture. Combined with the literature and reference materials and the case analysis of the representative works, based on the perspective of musicology and culturology, this paper restores the elements of the performance of the two people to the actual social and humanistic life environment. This paper expounds the development of Erren Zhuan in the mass art and some problems in the present two-person turn, and looks forward to its future development. The full text is composed of three modules: introduction, theory and conclusion. In the introduction, it mainly introduces the research background and research problems, the current research situation and the application of the main research methods, and explains the related issues of the main research objects in the paper. In this theory, it is divided into three parts: the first part mainly expounds the concrete embodiment of the elements of the two-person transformation in popular art; the second part analyzes the phenomenon of the elements of the two-person-turn performance in the mass art; The third part is to give the prospect of the future development of the two people's turn. In the conclusion, the phenomenon of merging the elements of the two-person-turn performance in the contemporary television culture reveals the vulgar problem of the two-person-turn, and puts forward some personal thoughts and suggestions on the development of the two-person-turn in the future.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J825
本文编号：2445224
[Abstract]:Erren Zhuan, on the basis of extensive absorption of the essence of various other arts, formed a folk art of various forms such as song and dance, rap, opera and so on. It is widely used in Liaoning, Jilin, Heilongjiang and the eastern region of Inner Mongolia Autonomous region in northeast China. It is a kind of singing and singing, singing and dancing, lively singing-like music art form. In the continuous development of history, Erren gradually formed his own unique style, and accumulated a large number of music cards and classical repertoire. So far, the two people have not been self-proclaimed, but have been in line with the trend of the development of the times, constantly updating and perfecting themselves. Nowadays, Erren is not only popular on the stage of traditional twinning, but also permeates its unique music culture into the art of TV culture. This article reveals in detail the historical origin and development process of the art of "Erren Zhuan", with the main research object of the acting elements of "Erren Zhuan" in the mass culture and art, and deeply analyzes the development of the "Erren Zhuan" in the television culture. Combined with the literature and reference materials and the case analysis of the representative works, based on the perspective of musicology and culturology, this paper restores the elements of the performance of the two people to the actual social and humanistic life environment. This paper expounds the development of Erren Zhuan in the mass art and some problems in the present two-person turn, and looks forward to its future development. The full text is composed of three modules: introduction, theory and conclusion. In the introduction, it mainly introduces the research background and research problems, the current research situation and the application of the main research methods, and explains the related issues of the main research objects in the paper. In this theory, it is divided into three parts: the first part mainly expounds the concrete embodiment of the elements of the two-person transformation in popular art; the second part analyzes the phenomenon of the elements of the two-person-turn performance in the mass art; The third part is to give the prospect of the future development of the two people's turn. In the conclusion, the phenomenon of merging the elements of the two-person-turn performance in the contemporary television culture reveals the vulgar problem of the two-person-turn, and puts forward some personal thoughts and suggestions on the development of the two-person-turn in the future.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J825
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