移民族群艺术及其身份：泰国潮剧研究
发布时间：2019-03-26 10:36
【摘要】： 潮剧在泰国的遭际为移民族群艺术的典型个案。泰国是东南亚建国最早且唯一没有沦为殖民地的独立国家。长期以来,移民泰国的华人族群与所在国社会保持着较高的融合度。作为综合的舞台艺术样式,泰国潮剧不仅是华侨华人传承中华民族及地域特色文化、呈现其内在情感的最重要媒介,也是华人移民族群艺术与泰国社会文化相互交流的结晶。 本文在论证泰国潮剧为一特殊移民族群艺术的基础上,研究其身份问题,从而探讨潮剧如何从一种中国地方戏曲,逐渐演变为移民族群艺术,进而提升为泰国国家艺术。除导言和结语之外,全文具体分以下五部分。 其一,通过泰国潮剧的现代化与本土化描述其发展历程,展示其艺术本体价值;其二,在潮商推动泰国潮剧传播的过程中,中国一东南亚间的潮剧网络逐渐形成,泰国潮剧由此成为一种典型的移民族群艺术;其三,以酬神潮剧和泰语潮剧为研究对象,探讨泰国潮剧的社会功能,折射出华族的身份意识;其四,不同时期的中泰交往,可见泰国华侨华人的国家认同,据此,阐析了潮剧在泰国政治生活中扮演的角色,说明泰国潮剧的政治身份在确定中遭遇危机;其五,从文化心理的视角深入剖析潮人与泰人之间彼此的适应和接受,进一步论述泰国潮剧文化身份的建构与焦虑。 本文首次全面、完整地厘清泰国潮剧发展的脉络,做出合理的分期,用戏曲事实探讨潮汕移民与潮剧流播的关系,梳理潮剧网络的形成,比较其在不同国家的呈现,考究泰国潮剧与中国潮剧之间的渊源和互动,由此丰富了中国现当代戏曲研究的内涵,增进中国戏曲与泰国本土戏剧及文化的交流。同时,潮剧在泰国的传播及其对泰国艺术的影响,反过来说明了东南亚对中国戏曲的接受,由此进行了跨界亚洲的研究。 本文以泰国潮剧为个案,尝试建构移民族群艺术的研究模式。本文研究的方法和结论对中国戏曲、跨文化艺术、华侨华人问题、东南亚领域、世界移民族群乃至国际关系研究具有一定的借鉴价值。
[Abstract]:The experience of Chaozhou Opera in Thailand is a typical case of the art of immigrant ethnic groups. Thailand is the first and only independent country in Southeast Asia that has not been colonized. For a long time, the ethnic Chinese emigrated to Thailand have maintained a high degree of integration with the host society. As a comprehensive stage art style, Thai Chaoju Opera is not only the most important medium for overseas Chinese and Chinese to inherit the culture of Chinese nation and regional characteristics, but also the crystallization of the mutual exchange between the art of ethnic Chinese immigrants and Thai social culture. On the basis of proving that Thai Chaozhou Opera is an art of a special immigrant ethnic group, this paper studies its identity, and discusses how Chaozhou Opera evolved from a kind of Chinese local opera to the art of immigrant ethnic group gradually, and then to the national art of Thailand. In addition to the introduction and conclusion, the full text is divided into the following five parts. First of all, through the modernization and localization of Thai Chao Opera, it describes its development process to show its artistic Noumenon value; Second, in the process of promoting the spread of Thai tide drama, the network of Chinese-Southeast Asian tide drama gradually formed, thus becoming a typical immigrant ethnic group art; Thirdly, this paper discusses the social function of Thai Chaozhao dramas and reflects the identity consciousness of the Chinese ethnic groups by studying the Chaochao dramas and Thai Chaochao dramas in Thai language as the object of study. Fourthly, the communication between China and Thailand in different periods shows the national identity of overseas Chinese and Chinese in Thailand. According to this, the role of Chaozhou Opera in Thai political life is analyzed, which shows that the political identity of Thai Chaozhao Opera is in crisis in the determination of its political identity. Fifthly, from the perspective of cultural psychology, this paper deeply analyzes the adaptation and acceptance between the Chaoyan and Thai, and further discusses the construction and anxiety of the cultural identity of the Thai Chaozhao Opera. This paper, for the first time, comprehensively and completely clarifies the context of the development of Chaozhou Opera in Thailand, makes reasonable stages, probes into the relationship between Chaoshan immigrants and the spread of Chaoshan Opera, combs the formation of the network of Chaozhou Opera and compares its presentation in different countries with the facts of traditional Chinese operas. A thorough study of the origin and interaction between Thai and Chinese dramas enriches the connotation of the study of modern and contemporary Chinese opera and promotes the exchange between Chinese opera and Thai local drama and culture. At the same time, the spread of Chao opera in Thailand and its influence on Thai art, in turn, shows the acceptance of Chinese opera in Southeast Asia, thus conducting a cross-border study in Asia. This paper attempts to construct the research model of the art of immigrant ethnic groups with the example of Thai Chaozhou Opera. The methods and conclusions of this paper can be used for reference in the study of Chinese opera, cross-cultural arts, overseas Chinese and Chinese issues, Southeast Asia, the world immigrant communities and even international relations.
【学位授予单位】：厦门大学
【学位级别】：博士
【学位授予年份】：2009
【分类号】：J83
本文编号：2447462
[Abstract]:The experience of Chaozhou Opera in Thailand is a typical case of the art of immigrant ethnic groups. Thailand is the first and only independent country in Southeast Asia that has not been colonized. For a long time, the ethnic Chinese emigrated to Thailand have maintained a high degree of integration with the host society. As a comprehensive stage art style, Thai Chaoju Opera is not only the most important medium for overseas Chinese and Chinese to inherit the culture of Chinese nation and regional characteristics, but also the crystallization of the mutual exchange between the art of ethnic Chinese immigrants and Thai social culture. On the basis of proving that Thai Chaozhou Opera is an art of a special immigrant ethnic group, this paper studies its identity, and discusses how Chaozhou Opera evolved from a kind of Chinese local opera to the art of immigrant ethnic group gradually, and then to the national art of Thailand. In addition to the introduction and conclusion, the full text is divided into the following five parts. First of all, through the modernization and localization of Thai Chao Opera, it describes its development process to show its artistic Noumenon value; Second, in the process of promoting the spread of Thai tide drama, the network of Chinese-Southeast Asian tide drama gradually formed, thus becoming a typical immigrant ethnic group art; Thirdly, this paper discusses the social function of Thai Chaozhao dramas and reflects the identity consciousness of the Chinese ethnic groups by studying the Chaochao dramas and Thai Chaochao dramas in Thai language as the object of study. Fourthly, the communication between China and Thailand in different periods shows the national identity of overseas Chinese and Chinese in Thailand. According to this, the role of Chaozhou Opera in Thai political life is analyzed, which shows that the political identity of Thai Chaozhao Opera is in crisis in the determination of its political identity. Fifthly, from the perspective of cultural psychology, this paper deeply analyzes the adaptation and acceptance between the Chaoyan and Thai, and further discusses the construction and anxiety of the cultural identity of the Thai Chaozhao Opera. This paper, for the first time, comprehensively and completely clarifies the context of the development of Chaozhou Opera in Thailand, makes reasonable stages, probes into the relationship between Chaoshan immigrants and the spread of Chaoshan Opera, combs the formation of the network of Chaozhou Opera and compares its presentation in different countries with the facts of traditional Chinese operas. A thorough study of the origin and interaction between Thai and Chinese dramas enriches the connotation of the study of modern and contemporary Chinese opera and promotes the exchange between Chinese opera and Thai local drama and culture. At the same time, the spread of Chao opera in Thailand and its influence on Thai art, in turn, shows the acceptance of Chinese opera in Southeast Asia, thus conducting a cross-border study in Asia. This paper attempts to construct the research model of the art of immigrant ethnic groups with the example of Thai Chaozhou Opera. The methods and conclusions of this paper can be used for reference in the study of Chinese opera, cross-cultural arts, overseas Chinese and Chinese issues, Southeast Asia, the world immigrant communities and even international relations.
【学位授予单位】：厦门大学
【学位级别】：博士
【学位授予年份】：2009
【分类号】：J83
【引证文献】
相关博士学位论文 前1条
1 陈根方;中国工尺谱的数字实现研究[D];上海大学;2011年
，本文编号：2447462
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