二人转的比较图像学研究
发布时间：2019-04-01 08:00
【摘要】：正当我们把当代二人转的造型姿势与红山及其相近区域远古岩画图像表现的男女对舞姿势进行比较的时候,我们非常惊奇地发现了两者的一致性。这种一致性是一个不可否认的事实。我们很难在二人转之外的戏曲、曲艺或戏剧中看到这种现代舞蹈与史前舞蹈造型姿势一致性的奇观。这种一致性的奇观表现了一个艺术的秘密:二人转很可能是史前舞蹈姿势的当代"遗留物"。从原型性生理心理遗传的角度考虑,现代二人转是东北原住民对古老舞蹈范型的集体无意识记忆。这种原型记忆是
[Abstract]:Just when we compare the contemporary two-person pose with those of men and women in the ancient rock paintings of Hongshan and its adjacent areas, we are very surprised to find the consistency between the two. This consistency is an undeniable fact. It is very difficult to see this modern dance and prehistoric dance pose concordance in operas, qu arts or dramas outside the Erren Zhuan. This concordant spectacle shows the secret of art: the twirling is probably a contemporary "legacy" of prehistoric dance postures. From the perspective of primitive physiological and psychological heredity, the modern Erren transformation is the collective unconscious memory of the ancient dance patterns of the northeast aborigines. This prototype memory is
【作者单位】： 吉林师大文学院;
【基金】：吉林省社科项目:“传统二人转表演形式研究”,(项目编号:2014B146)
【分类号】：J825
本文编号：2451387
[Abstract]:Just when we compare the contemporary two-person pose with those of men and women in the ancient rock paintings of Hongshan and its adjacent areas, we are very surprised to find the consistency between the two. This consistency is an undeniable fact. It is very difficult to see this modern dance and prehistoric dance pose concordance in operas, qu arts or dramas outside the Erren Zhuan. This concordant spectacle shows the secret of art: the twirling is probably a contemporary "legacy" of prehistoric dance postures. From the perspective of primitive physiological and psychological heredity, the modern Erren transformation is the collective unconscious memory of the ancient dance patterns of the northeast aborigines. This prototype memory is
【作者单位】： 吉林师大文学院;
【基金】：吉林省社科项目:“传统二人转表演形式研究”,(项目编号:2014B146)
【分类号】：J825
【相似文献】
相关期刊论文 前1条
1 朱立国;何静;;影视剧改编背后的图像学阐释困境分析[J];文艺评论;2014年01期
相关硕士学位论文 前2条
1 肖慧君;图像如何叙事[D];武汉大学;2005年
2 刘晓蕾;当代银幕神话的图像学阐释[D];中国电影艺术研究中心;2014年
，本文编号：2451387
本文链接：https://www.wllwen.com/wenyilunwen/xijuwudaolunwen/2451387.html
