朱权《太和正音谱》中唱论及其古代歌者史研究
发布时间：2019-04-04 10:38
【摘要】：本文将中国戏曲研究院所编的《中国古典戏曲论著集成》中收录的《太和正音谱》作为研究文本，以文献学、分析法、归纳法、比较法作为主要研究方法，对《太和正音谱》中涉及到文献和戏曲理论进行阐述，并通过声乐理论结合歌唱艺术实践着重研究书中所涉及到的唱论与古代歌唱者的历史，希望能够帮助以后更多的古代戏曲理论研究者更直观的理解朱权《太和正音谱》，以发掘其中唱论及歌唱历史的价值。 朱权《太和正音谱》作为一本集元代及明初戏曲理论、声乐理论以及名家与名曲为一体的专业性著作，它是中国历史上关于北曲的一本重要理论著作，它汲取了元钟嗣成的《录鬼簿》、燕南芝庵的《唱论》和周德清的《中原音韵》中的精华，，并加入了朱权本人对于元代戏曲理论的总结和元代名曲名家的收录及品评。朱权将“曲论”、“曲唱”、“曲谱”、“曲评”融合为一体注入到《太和正音谱》中。笔者通过自己多年的声乐学习结合实践，从“呼吸”、“咬字”、“情感表达”三方面来挖掘《词林须知》一节中的歌唱方法。《太和正音谱》中《善歌之士》一节例举了36位业余歌唱名家，由于当时那种漠视艺妓的封建观念，很少有业余歌唱家的记载，特别是明初歌唱家的记录，因此这是非常珍贵的历史资料。
[Abstract]:This paper takes "Taihe Pioneer Spectrum", which is compiled by the Chinese Opera Research Institute, as the research text, and takes philology, analytical method, induction method, comparative method as the main research methods, and takes "Taihe Pionetics", which is compiled by the Chinese Academy of traditional Chinese Opera, as the research text. This paper expounds the literature and opera theory in Taihe Zheng Phonograms, and through the vocal music theory combined with the practice of singing art, focuses on the history of the singing theory and the ancient singers involved in the book. It is hoped that it can help more ancient opera researchers to understand Zhu Quan's "Taihe Pionetics" more intuitively, so as to explore the value of singing and singing history. Zhu Quan's "Taihe Zhengyin Spectrum" is an important theoretical work on Bei qu in Chinese history, which is a professional work integrating opera theory, vocal music theory and famous writers and songs in the Yuan Dynasty and the early Ming Dynasty, and it is one of the most important works in the history of China. It draws on the essence of Zhong Shi-Cheng's record Ghost Book, Yan Nan Zhi an's singing Theory and Zhou Deqing's Zhongyuan Pronunciation, and adds Zhu Quan's summary of the drama theory of Yuan Dynasty and the collection and evaluation of famous musicians in Yuan Dynasty. Zhu Quan infused "Song Theory", "Song Music", "Song score" and "qu commentary" into Taihe Pionetics. Through his many years of vocal music study and practice, from "breathing", "bite", Three aspects of "emotional expression" to explore the singing methods in the "ci Lin Xu Zhi" section. In "Taihe Pionetics," a section of "the good Songers" gives an example of 36 amateur singers, because of the feudal concept of ignoring geisha at that time. There are few records of amateur singers, especially at the beginning of Ming Dynasty, so this is a very valuable historical material.
【学位授予单位】：武汉音乐学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J809.2
本文编号：2453730
[Abstract]:This paper takes "Taihe Pioneer Spectrum", which is compiled by the Chinese Opera Research Institute, as the research text, and takes philology, analytical method, induction method, comparative method as the main research methods, and takes "Taihe Pionetics", which is compiled by the Chinese Academy of traditional Chinese Opera, as the research text. This paper expounds the literature and opera theory in Taihe Zheng Phonograms, and through the vocal music theory combined with the practice of singing art, focuses on the history of the singing theory and the ancient singers involved in the book. It is hoped that it can help more ancient opera researchers to understand Zhu Quan's "Taihe Pionetics" more intuitively, so as to explore the value of singing and singing history. Zhu Quan's "Taihe Zhengyin Spectrum" is an important theoretical work on Bei qu in Chinese history, which is a professional work integrating opera theory, vocal music theory and famous writers and songs in the Yuan Dynasty and the early Ming Dynasty, and it is one of the most important works in the history of China. It draws on the essence of Zhong Shi-Cheng's record Ghost Book, Yan Nan Zhi an's singing Theory and Zhou Deqing's Zhongyuan Pronunciation, and adds Zhu Quan's summary of the drama theory of Yuan Dynasty and the collection and evaluation of famous musicians in Yuan Dynasty. Zhu Quan infused "Song Theory", "Song Music", "Song score" and "qu commentary" into Taihe Pionetics. Through his many years of vocal music study and practice, from "breathing", "bite", Three aspects of "emotional expression" to explore the singing methods in the "ci Lin Xu Zhi" section. In "Taihe Pionetics," a section of "the good Songers" gives an example of 36 amateur singers, because of the feudal concept of ignoring geisha at that time. There are few records of amateur singers, especially at the beginning of Ming Dynasty, so this is a very valuable historical material.
【学位授予单位】：武汉音乐学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J809.2
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