谭霈生对中国当代戏剧理论的贡献
发布时间：2019-04-11 12:52
【摘要】：谭霈生的戏剧理论体系,是以戏剧特性论为始基、以戏剧本体论为主轴、以戏剧功能论和戏剧转型论为两翼的一个有机整体。这一理论体系的贡献在于:1.揭示了戏剧艺术的根本特性与内在规律,引导了一大批剧作者回到戏剧创作的正轨上来;2.提出了更切近现代戏剧本体的"情境论",进一步发展了现代戏剧理论,也奠定了中国当代戏剧理论的基础;3.主张戏剧应以人自身为目的,通过审美感通与人格重建,深化人的自我意识,培育人的素质能力,确立了戏剧自身的职责与功能;4.深刻反思了中国戏剧的传统与现状,指出中国戏剧目前正进入转型期——从问题剧转向社会剧、从教化戏剧转向审美戏剧,指明了中国当代戏剧向前发展的一个重要方向。这一理论体系具有鲜明的科学性、实践性与前瞻性品格,对于21世纪中国戏剧的创作与发展具有重要的启发和引导意义。
[Abstract]:Tan Pei-sheng's theory system of drama is an organic whole of drama function theory and drama transformation theory, which is based on drama characteristic theory, drama ontology as the main axis and drama function theory and drama transformation theory as two wings. The contribution of this theoretical system is as follows: 1. Revealing the fundamental characteristics and internal laws of drama art, leading a large number of dramatists back to the right track of drama creation; 2. The author puts forward the "situation theory" which is more closely related to the Noumenon of modern drama, further develops the modern drama theory, and also lays the foundation of the Chinese contemporary drama theory; 3. The author holds that drama should aim at people themselves, deepen man's self-consciousness, cultivate man's quality and ability through aesthetic sense and personality reconstruction, and establish the responsibility and function of drama itself. 4. This paper deeply reflects on the tradition and present situation of Chinese drama, and points out that Chinese drama is entering a transitional period-from problem drama to social drama and from educated drama to aesthetic drama, pointing out an important direction for the development of contemporary Chinese drama. This theoretical system is scientific, practical and forward-looking, which is of great significance for the creation and development of Chinese drama in the 21st century.
【作者单位】： 武汉大学艺术学院;
【基金】：国家社科基金青年项目“易卜生戏剧诗学研究”(项目编号:13CWW023)的阶段性成果
【分类号】：J80
本文编号：2456418
[Abstract]:Tan Pei-sheng's theory system of drama is an organic whole of drama function theory and drama transformation theory, which is based on drama characteristic theory, drama ontology as the main axis and drama function theory and drama transformation theory as two wings. The contribution of this theoretical system is as follows: 1. Revealing the fundamental characteristics and internal laws of drama art, leading a large number of dramatists back to the right track of drama creation; 2. The author puts forward the "situation theory" which is more closely related to the Noumenon of modern drama, further develops the modern drama theory, and also lays the foundation of the Chinese contemporary drama theory; 3. The author holds that drama should aim at people themselves, deepen man's self-consciousness, cultivate man's quality and ability through aesthetic sense and personality reconstruction, and establish the responsibility and function of drama itself. 4. This paper deeply reflects on the tradition and present situation of Chinese drama, and points out that Chinese drama is entering a transitional period-from problem drama to social drama and from educated drama to aesthetic drama, pointing out an important direction for the development of contemporary Chinese drama. This theoretical system is scientific, practical and forward-looking, which is of great significance for the creation and development of Chinese drama in the 21st century.
【作者单位】： 武汉大学艺术学院;
【基金】：国家社科基金青年项目“易卜生戏剧诗学研究”(项目编号:13CWW023)的阶段性成果
【分类号】：J80
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