爱美剧运动的历史检讨
发布时间：2019-04-11 19:18
【摘要】： 爱美剧运动是中国戏剧现代化进程中的一个重要环节,这一戏剧运动的开展,实现了从早期话剧到话剧完成阶段的重要转折。爱美剧运动在二十年代盛极一时,其影响遍及全国,又因为本身存在的不足渐趋衰落,本文力图对爱美剧运动的兴起和衰落做一全面的观照,对导致其走向衰落的理论和实践缺陷做出历史性的检讨。 全文分为四章: 第一章具体阐述了爱美剧运动的发展历程。五四期间关于新旧戏剧的激烈争论和文明新戏的惨败是爱美剧运动兴起的历史背景。以《华伦夫人之职业》演出失败为肇始,爱美剧运动的热潮在全国范围内展开,民众戏剧社、上海戏剧协社和北京人艺戏剧专门学校分别成为爱美剧运动在理论、实践和戏剧教育方面的重要代表。对旧戏和文明新戏的批判在爱美剧运动中得到了进一步的发展。 第二章详细论述了爱美剧运动的理论来源和建树。爱美剧运动承接了五四学习西方的良好传统,广泛借鉴外国戏剧理论。对外国戏剧有针对性的引进和借鉴促进了爱美剧运动理论的确立和发展。陈大悲的长文《爱美的戏剧》作为爱美剧运动的重要理论成果,成为戏剧运动的指导书籍。爱美剧运动深受西方小剧场运动影响,在戏剧观、戏剧的民众化等方面取得了巨大成就。 第三章全面展示了爱美剧运动在实践方面的探索。爱美剧运动使学生演剧从自发到自觉,成为一场有目的、有理论、有组织的戏剧运动。洪深领导下的上海戏剧协社是爱美剧运动实践领域的重镇,真正使爱美剧运动的理论倡导得到了实现。建立剧本制、提高戏剧的文学性是爱美剧运动的重要方面,陈大悲、汪仲贤和蒲伯英等爱美剧运动的倡导者身体力行,创作了一大批剧本,在剧本创作方面初见成绩。人艺戏剧专门学校是爱美剧运动发展的重要转折,也开创了中国戏剧教育事业的先河。 第四章深入探讨了爱美剧运动发展中存在的重要问题。对爱美剧运动在话剧史上的意义进行肯定。对剧本创作、表演体系和舞台美术等爱美剧运动中实践与理论之间的差距进行分析。业余化和专业化之间的矛盾是困扰早期戏剧发展的重要问题,也是爱美剧运动走向衰落的重要原因,对这一问题的讨论造成了戏剧向职业化道路发展的趋势。 结语:爱美剧运动在特殊的历史背景下兴起,致力于创建新的戏剧,极力扫除文明新戏残留的弊病,在理论探讨和实践探索方面都取得了巨大成就,同时,由于历史的惯性和爱美剧运动本身的缺陷,爱美剧运动的理论与实践之间存在巨大差距,留下了诸多遗憾,但它毕竟实现了中国现代戏剧运动的最初理想,为戏剧向职业化、正规化方向发展打下了基础。
[Abstract]:The love-American drama movement is an important link in the process of Chinese drama modernization. The development of this drama movement has realized an important turning point from the early stage of drama to the stage of completion of drama. In the 1920s, the love-American drama movement flourished, its influence spread all over the country, and because of its own shortcomings gradually declining, this article tries to make a comprehensive look at the rise and decline of the love-American drama movement. Make a historical review of the theoretical and practical defects that lead to its decline. The full text is divided into four chapters: the first chapter elaborates the development of the American drama movement. During the May 4th Movement, the fierce debate about new and old drama and the fiasco of civilization and new drama are the historical background of the rise of the love-American drama movement. Starting with the failure of "Mrs. Warren's career," the upsurge of the American drama movement was launched throughout the country. The popular Drama Society, the Shanghai Drama Association and the Beijing Academy of people's Arts and Drama became the theory of the love American drama movement, respectively. An important representative of practice and drama education. The criticism of the old drama and the civilization and the new play has been further developed in the love-American drama movement. The second chapter discusses the theoretical sources and achievements of the American drama movement in detail. The American drama movement carried on the good tradition of learning from the West in May 4th Movement, and widely used foreign drama theory for reference. The introduction and reference of foreign drama promoted the establishment and development of Emmy drama movement theory. As an important theoretical achievement of the amicable drama movement, Chen Da-Bei's long text becomes the guide book of drama movement. The American drama movement is deeply influenced by the small theatre movement in the west, and has made great achievements in the aspects of drama view, drama populization and so on. The third chapter fully shows the exploration of the Emmy drama movement in practice. Love American drama movement makes students play from spontaneous to self-conscious, become a purposeful, theoretical, organized drama movement. The Shanghai Drama Association, led by Hong Shen, is the important town in the field of practice of the American drama movement, which really makes the theoretical advocacy of the love American drama movement come true. It is an important aspect of the American drama movement to establish the script system and improve the literary character of the drama. The advocates of the love American drama movement, such as Chen Daziao, Wang Zhongxian and dandelion, have done their best to create a large number of plays, and have made initial achievements in the field of script creation. The special school of arts and drama is an important turning point in the development of the American drama movement, and it also creates a pioneer in the education of drama in China. The fourth chapter deeply discusses the important problems existing in the development of Emmy drama movement. To the love American drama movement in the drama history to carry on the affirmation. This paper analyzes the gap between practice and theory in drama-loving movement, such as script creation, performance system and stage art. The contradiction between amateurism and specialization is not only an important problem that puzzles the development of drama in the early stage, but also an important reason for the decline of the love-American drama movement. The discussion on this issue has resulted in the trend of the development of drama to professionalization. Conclusion: the love-American drama movement rose under the special historical background, devotes itself to creating new plays, strives to eliminate the remaining evils of civilization and new plays, and has made great achievements in both theoretical and practical exploration, and at the same time has made great achievements in both theoretical and practical exploration. Due to the historical inertia and the defects of the Ami drama movement itself, there is a huge gap between the theory and practice of the Ami drama movement, which leaves many regrets, but after all, it has realized the original ideal of the modern Chinese drama movement and has become professional for the drama. Regularization has laid the foundation for the direction of development.
【学位授予单位】：山东大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J824
本文编号：2456680
[Abstract]:The love-American drama movement is an important link in the process of Chinese drama modernization. The development of this drama movement has realized an important turning point from the early stage of drama to the stage of completion of drama. In the 1920s, the love-American drama movement flourished, its influence spread all over the country, and because of its own shortcomings gradually declining, this article tries to make a comprehensive look at the rise and decline of the love-American drama movement. Make a historical review of the theoretical and practical defects that lead to its decline. The full text is divided into four chapters: the first chapter elaborates the development of the American drama movement. During the May 4th Movement, the fierce debate about new and old drama and the fiasco of civilization and new drama are the historical background of the rise of the love-American drama movement. Starting with the failure of "Mrs. Warren's career," the upsurge of the American drama movement was launched throughout the country. The popular Drama Society, the Shanghai Drama Association and the Beijing Academy of people's Arts and Drama became the theory of the love American drama movement, respectively. An important representative of practice and drama education. The criticism of the old drama and the civilization and the new play has been further developed in the love-American drama movement. The second chapter discusses the theoretical sources and achievements of the American drama movement in detail. The American drama movement carried on the good tradition of learning from the West in May 4th Movement, and widely used foreign drama theory for reference. The introduction and reference of foreign drama promoted the establishment and development of Emmy drama movement theory. As an important theoretical achievement of the amicable drama movement, Chen Da-Bei's long text becomes the guide book of drama movement. The American drama movement is deeply influenced by the small theatre movement in the west, and has made great achievements in the aspects of drama view, drama populization and so on. The third chapter fully shows the exploration of the Emmy drama movement in practice. Love American drama movement makes students play from spontaneous to self-conscious, become a purposeful, theoretical, organized drama movement. The Shanghai Drama Association, led by Hong Shen, is the important town in the field of practice of the American drama movement, which really makes the theoretical advocacy of the love American drama movement come true. It is an important aspect of the American drama movement to establish the script system and improve the literary character of the drama. The advocates of the love American drama movement, such as Chen Daziao, Wang Zhongxian and dandelion, have done their best to create a large number of plays, and have made initial achievements in the field of script creation. The special school of arts and drama is an important turning point in the development of the American drama movement, and it also creates a pioneer in the education of drama in China. The fourth chapter deeply discusses the important problems existing in the development of Emmy drama movement. To the love American drama movement in the drama history to carry on the affirmation. This paper analyzes the gap between practice and theory in drama-loving movement, such as script creation, performance system and stage art. The contradiction between amateurism and specialization is not only an important problem that puzzles the development of drama in the early stage, but also an important reason for the decline of the love-American drama movement. The discussion on this issue has resulted in the trend of the development of drama to professionalization. Conclusion: the love-American drama movement rose under the special historical background, devotes itself to creating new plays, strives to eliminate the remaining evils of civilization and new plays, and has made great achievements in both theoretical and practical exploration, and at the same time has made great achievements in both theoretical and practical exploration. Due to the historical inertia and the defects of the Ami drama movement itself, there is a huge gap between the theory and practice of the Ami drama movement, which leaves many regrets, but after all, it has realized the original ideal of the modern Chinese drama movement and has become professional for the drama. Regularization has laid the foundation for the direction of development.
【学位授予单位】：山东大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J824
【引证文献】
相关硕士学位论文 前2条
1 高海燕;“窗洞”的艺术[D];四川外语学院;2011年
2 林可;论校园戏剧在中国现代戏剧建构中的作用[D];浙江师范大学;2011年
，本文编号：2456680
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