浅析歌剧《野火春风斗古城》主要人物形象塑造
发布时间：2019-04-15 19:25
【摘要】：歌剧是一种综合的艺术形式,它集诗歌、戏剧、声乐、器乐、舞蹈等为一体,通过戏剧性的故事情节,细腻的人物形象塑造,来表达其剧目的深刻内涵。歌剧《野火春风斗古城》可以说是一部非常成功的歌剧作品,它是在故事立意上颇有新意,用现代年轻人的眼光来看待抗日战争中的爱国主义故事,意义深刻,教育性非常强;在故事的情节安排上让三条不同的线索相互交织,不同于中国传统戏剧中的单线索叙述方式,使得情节内容丰富,耐人寻味;在人物形象塑造上打破了脸谱化严重的中国传统人物形象塑造模式,所塑造的人物形象不论是正面英雄人物如金环、银环、杨母、杨晓冬等,还是反面人物如高自萍、多田,以及穿插于其中的现代人物大学生陈瑶,个个都栩栩如生,惟妙惟肖。该歌剧打破了传统的单面的人物形象塑造法,让每个人物都有血有肉,将他们的内心世界展现给观众,从而更深入人心;在多元化音乐创作上真正做到了中西合璧、土洋结合,还用现代通俗音乐和日本音乐将剧情所能涉及到的不同人物身份和文化背景刻画的十分得体。这个部歌剧称得上是新时期的中国民族歌剧的代表。 作为本世纪新诞生的歌剧,在公开演出之后好评如潮,国内许多报刊杂志都发表了不少文章,其中绝大多数都是关于此剧创作表演的新闻报道和简单描述,而对《野火春风斗古城》这部歌剧角色的唱段与演唱和对剧中角色音乐形象塑造都未有深入的专题性的研究。而剧中人物的唱腔是音乐形象塑造的关键,人物具有个性的唱腔通过对戏剧发展到不同阶段人物性格的不断体现,尤其是对戏剧矛盾冲突中人物内心的描述最终完成对人物的塑造。而对于歌剧《野火春风斗古城》中的人物形象塑造进行专题性的研究,对于把握整部歌剧的艺术特征和主题思想具有重要的作用。通过对于剧中主要人物的戏剧形象和音乐形象进行较为详尽的分析,提高了对于歌剧的主题的更深层次的理解和认识,也为更好的诠释剧中人物提供了一定的依据。 论文共分为四个章节来论述。第一章:对原著小说《野火春风斗古城》的创作背景及作者进行了较为详细的介绍,并对主创团队创作歌剧《野火春风斗古城》的过程进行了分析。第二章:介绍了在歌剧《野火春风斗古城》中所运用的丰富而新颖的音乐元素。第三章:是本论文的重点章节,通过对剧中人物的戏剧形象和音乐形象两大方面的分析,重点是对于人物唱段的解析,以总结出剧中人物形象塑造的特点。第四章:通过分析这部歌剧从而引发的对于中国歌剧的启示,在实践中得出经验,为中国歌剧的发展指出了一条有别于西方古典歌剧、中国传统戏曲以及纯粹的西方现代音乐剧的发展道路。
[Abstract]:Opera is a comprehensive art form, which combines poetry, drama, vocal music, instrumental music, dance and so on. It expresses the profound connotation of its repertoire through dramatic storyline and delicate character image. It can be said that the opera "the Old City of the Wild Fire Spring Wind fighting" is a very successful opera work. It is quite new in the original idea of the story. The patriotic story in the War of Resistance against Japan from the perspective of the modern young people has a profound significance and a very strong educational character. The plot arrangement of the story allows three different clues to interweave with each other, which is different from the single-clue narration in the traditional Chinese drama, which makes the plot rich in content and intriguing; In shaping characters, we have broken the pattern of image-building of Chinese traditional characters with serious Facebook profile. Whether they are positive heroes such as gold rings, silver rings, Yang mother, Yang Xiaodong, etc., or negative characters such as Gao Ziping and Daotian, the characters created by them are not only positive heroes such as gold rings, silver rings, Yang mother, Yang Xiaodong, etc., And interspersed in the modern character Chen Yao, all of them are lifelike, vivid. The opera broke the traditional one-sided character image creation method, let each character have flesh and blood, show their inner world to the audience, thus more deeply in the hearts of the people; In the creation of diversified music really achieved a combination of Chinese and western, local and foreign, but also with modern popular music and Japanese music to the plot can be involved in the identity of different characters and cultural background portrayal is very appropriate. This opera can be regarded as the representative of the Chinese national opera of the new period. As the newly born opera of this century, after public performances, many newspapers and magazines have published a lot of articles, the vast majority of which are news reports and simple descriptions of the drama's creation and performance. However, there is no in-depth thematic study on the singing and singing of the opera character and the creation of the musical image of the characters in the opera, "the Old Town of the Wild Fire Spring Wind fights the Old City". And the singing voice of the characters in the play is the key to the shaping of the musical image, and the singing cavity of the characters has the individuality through the development of the drama to the different stages of the character of the continuous embodiment of the characters. In particular, the inner description of the characters in the conflict of dramatic contradictions finally completes the characterization of the characters. On the other hand, it is of great importance for us to grasp the artistic characteristics and thematic thoughts of the whole opera by studying the characters in the opera "the Old Town of the Wild Fire Spring Wind fighting". Through a more detailed analysis of the dramatic image and musical image of the main characters in the play, it improves the deeper understanding and understanding of the theme of the opera, and also provides a certain basis for better interpretation of the characters in the play. The thesis is divided into four chapters. The first chapter introduces the creation background and the author of the original novel "the Old City of the Wild Fire Spring Wind Dipper", and analyzes the process of creating the opera "the Old City of the Wild Fire Spring Wind Dipper" by the main creative team. The second chapter introduces the rich and novel musical elements used in the opera "the Old City of the Wild Fire Spring Wind Dipper". The third chapter is the key chapter of this paper. Through the analysis of the dramatic image and the musical image of the characters in the play, the emphasis is on the analysis of the characters' singing segments, in order to sum up the characteristics of the characters' image shaping in the play. Chapter four: through the analysis of the enlightenment to Chinese opera caused by this opera, we get the experience in practice, and point out a different from the western classical opera for the development of Chinese opera. The development of Chinese traditional opera and pure western modern musicals.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J832
本文编号：2458421
[Abstract]:Opera is a comprehensive art form, which combines poetry, drama, vocal music, instrumental music, dance and so on. It expresses the profound connotation of its repertoire through dramatic storyline and delicate character image. It can be said that the opera "the Old City of the Wild Fire Spring Wind fighting" is a very successful opera work. It is quite new in the original idea of the story. The patriotic story in the War of Resistance against Japan from the perspective of the modern young people has a profound significance and a very strong educational character. The plot arrangement of the story allows three different clues to interweave with each other, which is different from the single-clue narration in the traditional Chinese drama, which makes the plot rich in content and intriguing; In shaping characters, we have broken the pattern of image-building of Chinese traditional characters with serious Facebook profile. Whether they are positive heroes such as gold rings, silver rings, Yang mother, Yang Xiaodong, etc., or negative characters such as Gao Ziping and Daotian, the characters created by them are not only positive heroes such as gold rings, silver rings, Yang mother, Yang Xiaodong, etc., And interspersed in the modern character Chen Yao, all of them are lifelike, vivid. The opera broke the traditional one-sided character image creation method, let each character have flesh and blood, show their inner world to the audience, thus more deeply in the hearts of the people; In the creation of diversified music really achieved a combination of Chinese and western, local and foreign, but also with modern popular music and Japanese music to the plot can be involved in the identity of different characters and cultural background portrayal is very appropriate. This opera can be regarded as the representative of the Chinese national opera of the new period. As the newly born opera of this century, after public performances, many newspapers and magazines have published a lot of articles, the vast majority of which are news reports and simple descriptions of the drama's creation and performance. However, there is no in-depth thematic study on the singing and singing of the opera character and the creation of the musical image of the characters in the opera, "the Old Town of the Wild Fire Spring Wind fights the Old City". And the singing voice of the characters in the play is the key to the shaping of the musical image, and the singing cavity of the characters has the individuality through the development of the drama to the different stages of the character of the continuous embodiment of the characters. In particular, the inner description of the characters in the conflict of dramatic contradictions finally completes the characterization of the characters. On the other hand, it is of great importance for us to grasp the artistic characteristics and thematic thoughts of the whole opera by studying the characters in the opera "the Old Town of the Wild Fire Spring Wind fighting". Through a more detailed analysis of the dramatic image and musical image of the main characters in the play, it improves the deeper understanding and understanding of the theme of the opera, and also provides a certain basis for better interpretation of the characters in the play. The thesis is divided into four chapters. The first chapter introduces the creation background and the author of the original novel "the Old City of the Wild Fire Spring Wind Dipper", and analyzes the process of creating the opera "the Old City of the Wild Fire Spring Wind Dipper" by the main creative team. The second chapter introduces the rich and novel musical elements used in the opera "the Old City of the Wild Fire Spring Wind Dipper". The third chapter is the key chapter of this paper. Through the analysis of the dramatic image and the musical image of the characters in the play, the emphasis is on the analysis of the characters' singing segments, in order to sum up the characteristics of the characters' image shaping in the play. Chapter four: through the analysis of the enlightenment to Chinese opera caused by this opera, we get the experience in practice, and point out a different from the western classical opera for the development of Chinese opera. The development of Chinese traditional opera and pure western modern musicals.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J832
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