“后申遗”时代,广州粤剧发展之路
发布时间：2019-05-28 02:45
【摘要】：正背景链接:早在明代成化年间(1465-1487),广州地区外来戏班演出频繁,并有众多本地子弟参加,开始孕育粤剧的种子。晚清同治光绪年间,粤剧艺术渐趋成熟,从业队伍日益壮大。20世纪初二三十年间,粤剧经历了一系列重大的变革,新中国成立后,粤剧进入了新的发展时期,成为中国重要的地方戏曲剧种之一。
[Abstract]:Positive background link: as early as the Ming Dynasty Chenghua years (1465 / 1487), Guangzhou foreign theaters performed frequently, and many local children took part in it, and began to breed the seeds of Cantonese opera. During the period of Tongzhi Guang Xu in the late Qing Dynasty, the art of Cantonese opera became more and more mature and the working team grew day by day. In the early 20 or 30 years of the 20th century, Cantonese opera experienced a series of major changes. After the founding of the people's Republic of China, Cantonese opera entered a new period of development. It has become one of the important local operas in China.
【分类号】：J825
本文编号：2486669
[Abstract]:Positive background link: as early as the Ming Dynasty Chenghua years (1465 / 1487), Guangzhou foreign theaters performed frequently, and many local children took part in it, and began to breed the seeds of Cantonese opera. During the period of Tongzhi Guang Xu in the late Qing Dynasty, the art of Cantonese opera became more and more mature and the working team grew day by day. In the early 20 or 30 years of the 20th century, Cantonese opera experienced a series of major changes. After the founding of the people's Republic of China, Cantonese opera entered a new period of development. It has become one of the important local operas in China.
【分类号】：J825
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