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山西临汾民营戏曲表演团体现状调查与研究(2010-2016)

发布时间:2019-05-30 01:36
【摘要】:地方戏曲是我国传统文化的重要组成部分,是表现和传承传统文化的重要载体。剧团作为戏曲传承与发展的载体,对地方戏曲的传播也存在一定的意义与影响。与国营剧团不同,民营剧团以其扎根农村市场、贴近基层为优势,在农村市场上占有重要比重。它们的生存与发展在一定程度上对地方戏曲的传承与发展起到作用,也间接支撑起了地方农村的精神文明建设。而新媒体的盛行,多元文化的传播以及娱乐方式的多样性,对民营剧团的发展造成了很大程度的冲击。它们如何依靠自身的经营与社会发展相适应,面对的具体困难有哪些,现状如何,前景怎样,成为值得关注的问题。本文以晋南临汾市文化局2016年登记在册的五家民营戏曲剧团(洪洞县道情剧团、隰州蒲剧团、浮山木偶艺术团、临汾开发区蒲剧团、临汾青年眉户团)和尧乡春剧社为主要考察对象,对其2010年以来的生存状况进行较全面的剖析。由于洪洞县道情剧团成立时间较短,浮山木偶艺术团已有学者进行研究与调查,笔者主要对临汾青年眉户剧团、临汾开发区蒲剧团、隰州蒲剧团、尧乡春剧社进行田野调查,对洪洞道情剧团与浮山木偶艺术团进行简单的了解。此外,为与这些民营剧团进行简单对比,还对翼城县两个县级的国营剧团进行了跟团调查。文章主要从六个部分展开论述:第一部分,介绍本文的研究对象、目的、意义以及创新之处。第二部分,介绍临汾民营戏曲表演团体的生存环境与现状。第三部分,对临汾民营戏曲表演团体的内部构成及生活加以详细介绍,加深人们对民营团体的认识。第四部分,通过分析临汾民营戏曲表演团体经营与管理,展示其真实的现状,探究其优劣。经笔者调查,临汾民营戏曲表演团体的经济运作资金来源方式多样化,主要为个人资金、贷款、赊账、企业资助以及盈利利润的方式。在演出运作上,台口的来源亦是多样化,主要以外联和团体中各种人际关系为主。同时,其人员管理存在一些不稳定的因素,人员流动现象比较严重。第五部分,介绍临汾民营戏曲表演团体的演出情况。临汾民营戏曲表演团体演出形式为本戏和折子戏两种,剧目类型以传统剧目为主。其活动范围集中在临运两地,以商业性演出为主,经常与庙会、集会、节日等活动相连接。通过对其演出情况的详细介绍与分析,探究其市场份额和市场占有率。第六部分,临汾民营戏曲表演团体在发展过程中优势与劣势并存,虽然一直在坚持,但也相应存在一些问题与困难,有繁荣也有衰落。笔者认为临汾民营戏曲表演团体应继续坚持走市场化发展道路,精益求精,争取更多的市场份额。而政府也应合理规范市场秩序,给予政策支持与人员支持,以提高戏曲演出质量,将临汾地区戏曲推向繁荣。
[Abstract]:Local opera is an important part of Chinese traditional culture and an important carrier for expressing and inheriting traditional culture. As the carrier of opera inheritance and development, drama troupe also has certain significance and influence on the dissemination of local opera. Different from the state-owned theatrical troupe, the private theatrical troupe occupies an important proportion in the rural market because it takes its roots in the rural market and is close to the grass-roots level. To a certain extent, their survival and development play a role in the inheritance and development of local operas, and indirectly support the construction of spiritual civilization in local rural areas. The prevalence of new media, the spread of multiculturalism and the diversity of entertainment methods have caused a great impact on the development of private theatrical troupes. How to rely on their own management to adapt to social development, what are the specific difficulties they face, what are the present situation and prospects, has become a problem worthy of attention. In this paper, five private opera troupes (Hongdong County Taoist Opera Troupe, Xizhou Pu Opera Troupe, Fushan Puppet Art Troupe, Linfen Development Zone Pu Opera Troupe) registered by Linfen City Culture Bureau in 2016 are listed in this paper. Linfen Youth Meihu Troupe) and Yao Xiang Spring Opera Club are the main objects of investigation, and make a comprehensive analysis of their living conditions since 2010. Due to the short establishment time of Hongdong County Taoist Drama Troupe, some scholars of Fushan Puppet Art Troupe have carried out research and investigation. The author mainly carries on the field investigation to Linfen Youth Meihu Opera Troupe, Linfen Development Zone Pu Opera Troupe, Xizhou Pu Opera Troupe, Yao Township Spring Opera Company. A simple understanding of Hongdongdao drama troupe and Fushan puppet art troupe. In addition, in order to make a simple comparison with these private theatrical troupes, two state-owned theatrical troupes in Yicheng County were investigated. The article mainly discusses from six parts: the first part introduces the research object, purpose, significance and innovation of this paper. The second part introduces the living environment and present situation of Linfen private opera performing groups. The third part introduces the internal composition and life of Linfen private opera performance group in detail, and deepens people's understanding of private organization. The fourth part, through the analysis of Linfen private opera performance group management, show its real situation, explore its advantages and disadvantages. Through the author's investigation, the sources of economic operation funds of Linfen private opera performance groups are diversified, mainly personal funds, loans, credit, enterprise support and profit. In the operation of the performance, the source of Taiwan is also diversified, mainly to reach out and all kinds of interpersonal relationships in the group. At the same time, there are some unstable factors in its personnel management, and the phenomenon of personnel movement is more serious. The fifth part introduces the performance of Linfen private opera performing groups. Linfen private opera performance group performance form is this play and folding son opera, the repertoire type is mainly the traditional drama. Its scope of activities is concentrated in Linyun, mainly commercial performances, often connected with temple fairs, gatherings, festivals and other activities. Through the detailed introduction and analysis of its performance, this paper probes into its market share and market share. In the sixth part, the advantages and disadvantages of Linfen private opera performing groups coexist in the process of development, although they have been insisting, but there are also some problems and difficulties, prosperity and decline. The author believes that Linfen private opera performing groups should continue to follow the road of market-oriented development, strive for improvement, and strive for more market share. And the government should also reasonably standardize the market order, give policy support and personnel support, in order to improve the quality of opera performance, Linfen area opera to prosperity.
【学位授予单位】:山西师范大学
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J809.2

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