论歌剧《伤逝》中“子君”艺术形象的塑造及其对中国歌剧发展的启示
发布时间：2019-05-31 17:09
【摘要】： 中国歌剧是歌剧艺术于20世纪早期传入中国后与本土已有的音乐艺术相结合所形成的一种独特的艺术形式,在我国经历了近一个世纪的发展,历经艰难坎坷,产生了近百部歌剧作品,水平虽然参差不齐,但这些艺术实践为现在和将来中国歌剧的存在和发展奠定了坚实的基础。歌剧《伤逝》是施光南先生于1981年为纪念鲁迅先生诞辰100周年而创作的,是80年代中国民族歌剧创作的重要收获。 全文分为绪言、正文和结语三个部分。绪言提出本文写作的原因及写作本文的意义。正文分为三个部分,第一部分对歌剧《伤逝》做了简介,包括它的文学特征;第二部分详细分析了歌剧《伤逝》中的“子君”的人物塑造以及“子君”唱段的音乐特征;第三部分概述了新时期中国歌剧发展概况及《伤逝》的创作方式和创作思维对当今中国歌剧创作的启示及现实意义。结语部分再次肯定了施光南先生和歌剧《伤逝》对中国歌剧发展所具有的积极作用。
[Abstract]:Chinese opera is a unique art form formed by the combination of opera art and local music art after it was introduced into China in the early 20th century. It has experienced nearly a century of development and experienced difficulties and ups and downs in our country. Nearly 100 opera works have been produced, although the level is uneven, but these artistic practices have laid a solid foundation for the existence and development of Chinese opera now and in the future. The opera "death" was created by Mr. Shi Guangnan in 1981 to commemorate the 100th anniversary of Mr. Lu Xun's birth. It is an important harvest of Chinese national opera creation in the 1980s. The full text is divided into three parts: introduction, main body and conclusion. The preface puts forward the reasons for the writing of this paper and the significance of writing this article. The main body is divided into three parts, the first part gives a brief introduction to the opera "wounded death", including its literary characteristics, the second part analyzes in detail the characters of "Zijun" in the opera "wounded death" and the musical characteristics of the singing section of "Zijun". The third part summarizes the general situation of the development of Chinese opera in the new period and the enlightenment and practical significance of the creative mode and thinking of "wounded death" to the creation of Chinese opera today. The conclusion reconfirms the positive role of Mr. Shi Guangnan and the opera death in the development of Chinese opera.
【学位授予单位】：西北师范大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J822
本文编号：2489873
[Abstract]:Chinese opera is a unique art form formed by the combination of opera art and local music art after it was introduced into China in the early 20th century. It has experienced nearly a century of development and experienced difficulties and ups and downs in our country. Nearly 100 opera works have been produced, although the level is uneven, but these artistic practices have laid a solid foundation for the existence and development of Chinese opera now and in the future. The opera "death" was created by Mr. Shi Guangnan in 1981 to commemorate the 100th anniversary of Mr. Lu Xun's birth. It is an important harvest of Chinese national opera creation in the 1980s. The full text is divided into three parts: introduction, main body and conclusion. The preface puts forward the reasons for the writing of this paper and the significance of writing this article. The main body is divided into three parts, the first part gives a brief introduction to the opera "wounded death", including its literary characteristics, the second part analyzes in detail the characters of "Zijun" in the opera "wounded death" and the musical characteristics of the singing section of "Zijun". The third part summarizes the general situation of the development of Chinese opera in the new period and the enlightenment and practical significance of the creative mode and thinking of "wounded death" to the creation of Chinese opera today. The conclusion reconfirms the positive role of Mr. Shi Guangnan and the opera death in the development of Chinese opera.
【学位授予单位】：西北师范大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J822
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