歌剧《野火春风斗古城》中人物杨母的角色探析
发布时间：2019-06-15 09:20
【摘要】：歌剧《野火春风斗古城》是一部史诗性军事题材戏剧作品,2005年,总政歌剧团在纪念抗日战争胜利暨世界反法西斯战争胜利60周年之际,推出了这部歌剧,并在北京首演。歌剧《野火春风斗古城》的创作者们,从现代视角、注入现代人的思想、用现代人的表达方式诠释了这部红色经典,通过女大学生陈瑶与爷爷穿越时空的情景对话,引领人们回顾那段国难当头,全民奋起抗战的峥嵘岁月。 歌剧《野火春风斗古城》在创作上不断地探索创新,在角色塑造上,它打破了以往歌剧中角色结构的不平衡关系,采用多位男女、正反角色担任主演,角色与戏份视同一律,不相上下；从歌唱的角度来讲,在唱法上,歌剧《野火春风斗古城》采用了美声、民族、通俗三种唱法；同时,歌剧《野火春风斗古城》还将现代电声乐器运用于管弦乐队中,使歌剧的表现力和感染力大大增强。这些新的创作思想与创作手段都为它上演后的成功打下了坚实的基础。 本文在第一章详尽地介绍了歌剧《野火春风斗古城》十四场的故事情节,并说明了其创作背景和创作意义。第二章通过对杨母在歌剧中的四个唱段《思儿》、《玉镯》、《戴上玉镯叫声娘》和《娘在那片云彩里》的旋律、结构、音乐特点和演唱的分析,来研究歌剧中塑造的杨母形象。第三章通过前面的分析对杨母形象进行总结,从中挖掘唱段中所体现的中国传统品德和杨母身上绽放的伟大的女性美。最后对本文作出总结,并具体阐述了歌剧《野火春风斗古城》的创作和本文写作所引发的现实思考。 歌剧《野火春风斗古城》是歌剧史上的一部经典之作,我们应该珍视它,用心地欣赏、研究它,让它永久地流传下去!
[Abstract]:The opera Wild Fire Spring Wind fighting Ancient City is a historical and poetic military drama. In 2005, the General political Opera Troupe launched the opera on the occasion of commemorating the 60th anniversary of the victory of the War of Resistance against Japan and the victory of the World Anti-Fascist War, and premiered in Beijing. The creators of the opera Wild Fire Spring Wind fighting the Ancient City, from the modern point of view, infused the thought of modern people and interpreted this red classic with the expression of modern people. Through the situational dialogue between Chen Yao, a female college student, and her grandfather through time and space, they led people back to the eventful years of the national disaster and the whole people's rise to the War of Resistance against Japan. The opera "Wild Fire Spring Wind Dou Ancient City" constantly explores and innovates in its creation. In the role shaping, it breaks the unbalanced relationship of the character structure in the past opera, adopts many men and women, the positive and negative characters act as the starring, the role and the play are the same, equal to the same, from the singing point of view, in the singing, the opera "Wild Fire Spring Wind Dou Ancient City" adopts three kinds of singing methods: Bel Canto, nationality and popular singing. At the same time, the opera Wild Fire Spring Wind Dou Ancient City also applies modern electroacoustic instruments to orchestra, which greatly enhances the expression and appeal of opera. These new creative ideas and creative means have laid a solid foundation for its success. In the first chapter, this paper introduces in detail the plot of the fourteen scenes of the opera Wild Fire Spring Wind Dou Ancient City, and explains its creative background and significance. The second chapter studies the image of Yang Mu portrayed in opera by analyzing the melody, structure, musical characteristics and singing of Yang Mu's four singing passages in opera, namely, "thinking", "Jade Bangle", "wearing Jade Bangle called Niang" and "Niang in that Cloud". The third chapter summarizes the image of Yang Mu through the previous analysis, and excavates the Chinese traditional moral character and the great female beauty embodied in the singing passage. Finally, this paper makes a summary, and expounds the creation of the opera Wild Fire Spring Wind Dou Ancient City and the realistic thinking caused by the writing of this paper. The opera "Wild Fire Spring Wind Dou Ancient City" is a classic in the history of opera. We should cherish it, appreciate it with your heart, study it, and let it pass on forever!
【学位授予单位】：山西大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J822;J617.2
本文编号：2500115
[Abstract]:The opera Wild Fire Spring Wind fighting Ancient City is a historical and poetic military drama. In 2005, the General political Opera Troupe launched the opera on the occasion of commemorating the 60th anniversary of the victory of the War of Resistance against Japan and the victory of the World Anti-Fascist War, and premiered in Beijing. The creators of the opera Wild Fire Spring Wind fighting the Ancient City, from the modern point of view, infused the thought of modern people and interpreted this red classic with the expression of modern people. Through the situational dialogue between Chen Yao, a female college student, and her grandfather through time and space, they led people back to the eventful years of the national disaster and the whole people's rise to the War of Resistance against Japan. The opera "Wild Fire Spring Wind Dou Ancient City" constantly explores and innovates in its creation. In the role shaping, it breaks the unbalanced relationship of the character structure in the past opera, adopts many men and women, the positive and negative characters act as the starring, the role and the play are the same, equal to the same, from the singing point of view, in the singing, the opera "Wild Fire Spring Wind Dou Ancient City" adopts three kinds of singing methods: Bel Canto, nationality and popular singing. At the same time, the opera Wild Fire Spring Wind Dou Ancient City also applies modern electroacoustic instruments to orchestra, which greatly enhances the expression and appeal of opera. These new creative ideas and creative means have laid a solid foundation for its success. In the first chapter, this paper introduces in detail the plot of the fourteen scenes of the opera Wild Fire Spring Wind Dou Ancient City, and explains its creative background and significance. The second chapter studies the image of Yang Mu portrayed in opera by analyzing the melody, structure, musical characteristics and singing of Yang Mu's four singing passages in opera, namely, "thinking", "Jade Bangle", "wearing Jade Bangle called Niang" and "Niang in that Cloud". The third chapter summarizes the image of Yang Mu through the previous analysis, and excavates the Chinese traditional moral character and the great female beauty embodied in the singing passage. Finally, this paper makes a summary, and expounds the creation of the opera Wild Fire Spring Wind Dou Ancient City and the realistic thinking caused by the writing of this paper. The opera "Wild Fire Spring Wind Dou Ancient City" is a classic in the history of opera. We should cherish it, appreciate it with your heart, study it, and let it pass on forever!
【学位授予单位】：山西大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J822;J617.2
【参考文献】
相关期刊论文 前1条
1 刘建坤;;试析歌剧《野火春风斗古城》中金环角色的重要性[J];大众文艺(理论);2009年12期
相关硕士学位论文 前2条
1 周亚娟;歌剧《野火春风斗古城》的音乐特征研究[D];西安音乐学院;2008年
2 曹彦莉;歌剧《野火春风斗古城》的演唱特征[D];武汉音乐学院;2009年
，本文编号：2500115
本文链接：https://www.wllwen.com/wenyilunwen/xijuwudaolunwen/2500115.html
