从模仿再现到离形得似——中西表演艺术差异之哲学与美学根源

发布时间：2019-07-16 21:05

【摘要】：中国表演艺术强调写意的再现理念,呈现出与西方表演体系截然不同的表演美学思想。既然都是模仿性质的表演艺术,中西戏剧体系为何会有如此大的差异?从形象和模仿的角度出发,结合中国传统哲学、美学、画论和诗学的主要观念,可以探讨造成中西戏剧体系差异的深层哲学基础和美学根源。中国戏剧传统起初与西方体系并无多大差别,也强调模仿生活、形象逼真,但由于中国戏曲在自成一个艺术门类以前地位低下,依附诗文书画,其最初的本体不是叙事性模仿,而是形象性模仿,后虽完成了从形象模仿到叙事模仿的转变,但抒情写意的形象论已深入骨髓。此外,由于戏剧形象论的哲学和美学理念强调追求神似,而不仅仅是追求形似,其最高境界是以"离形得似"为理想的艺术表现形式和效果,从而产生了不同于西方的戏剧表演艺术。
[Abstract]:Chinese performing art emphasizes the reappearance idea of freehand brushwork and presents a completely different aesthetic thought of performance from the western performance system. Since they are all imitating performing arts, why is there such a big difference between Chinese and Western drama systems? From the point of view of image and imitation, combined with the main concepts of Chinese traditional philosophy, aesthetics, painting theory and poetics, we can explore the deep philosophical basis and aesthetic root of the differences between Chinese and Western drama systems. At first, the tradition of Chinese drama is not much different from the western system, and it also emphasizes the imitation of life and the lifelike image. However, due to the low position of Chinese opera before becoming an art category and attached to poetry, calligraphy and painting, its original Noumenon is not narrative imitation, but image imitation. Although it has completed the transformation from image imitation to narrative imitation, the image theory of lyricism and freehand brushwork has gone deep into the bone marrow. In addition, because the philosophy and aesthetic idea of drama image theory emphasizes the pursuit of divine resemblance, not just the pursuit of form similarity, its highest realm is the ideal artistic expression form and effect, which is different from that of the western drama performance art.
【作者单位】：扬州大学外国语学院;美国达拉斯德州大学;
【分类号】：J812

【共引文献】