传统藏戏的开放性结构
发布时间：2019-07-23 20:31
【摘要】：传统藏戏大多采用了一种连缀式的故事编写手法。为保证故事的完整性和连贯性,传统藏戏往往会将故事发生的各种渊源交待得明明白白。传统藏戏基本都是围绕"一人"来叙述故事的,以"一人"为中心。在某些传统藏戏中"一人"是由两代人或夫妻二人相续完成的。在时间维度方面,传统藏戏通过故事叙述的完整性、连贯性、单向性("一次过")等而显示出一种明显的开放性结构特征。在空间维度方面,藏族地区旷野中主要的景点几乎全部被囊括,无所不包地被纳入藏戏之中。历史上藏族主要的人物类别,藏族地区常见的,甚至能够想到的动物形象,几乎都进入了传统藏戏之中。
[Abstract]:Most of the traditional Tibetan dramas use a serial storytelling technique. In order to ensure the integrity and consistency of the story, the traditional Tibetan opera often explains the origin of the story clearly. The traditional Tibetan opera basically revolves around "one person" to tell the story, takes "one person" as the center. In some traditional Tibetan plays, "one person" is completed by two generations or two couples. In the aspect of time dimension, the traditional Tibetan opera shows an obvious open structural feature through the integrity, coherence and unidirectional ("one go") of the story narration. In terms of spatial dimension, almost all the main scenic spots in the Tibetan wilderness are included in Tibetan opera. In history, the main Tibetan characters, the common and even imaginable animal images in Tibetan areas, have almost all entered the traditional Tibetan opera.
【作者单位】： 成都大学文学与新闻传播学院;
【分类号】：J825
，
本文编号：2518386
[Abstract]:Most of the traditional Tibetan dramas use a serial storytelling technique. In order to ensure the integrity and consistency of the story, the traditional Tibetan opera often explains the origin of the story clearly. The traditional Tibetan opera basically revolves around "one person" to tell the story, takes "one person" as the center. In some traditional Tibetan plays, "one person" is completed by two generations or two couples. In the aspect of time dimension, the traditional Tibetan opera shows an obvious open structural feature through the integrity, coherence and unidirectional ("one go") of the story narration. In terms of spatial dimension, almost all the main scenic spots in the Tibetan wilderness are included in Tibetan opera. In history, the main Tibetan characters, the common and even imaginable animal images in Tibetan areas, have almost all entered the traditional Tibetan opera.
【作者单位】： 成都大学文学与新闻传播学院;
【分类号】：J825
，
本文编号：2518386
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