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论歌剧重唱作品的审美形态及其教学

发布时间:2019-07-26 13:16
【摘要】:重唱,属于是一种较高水准的声乐表演艺术形式,本质上是建立在单声部不同演唱者同时对一首作品演唱表演的基础之上,有着较为多变的声部组合。通常重唱的形式有二重唱、三重唱至七重唱等,此外演唱者可以依据自身音色差异以及性别差异构合为多样的男女混声重唱等等。可以说重唱审美效果是较为多彩丰富的。重唱一直被应用在西方歌剧表演艺术当中,对于西方歌剧的发展起着重要的矛盾冲突色彩调节作用。当前众多的研究学者也将歌剧重唱教学以及歌剧重唱审美作为重点研究课题。本文正是基于此视角就歌剧重唱作品内在审美形态做一些探索式的分析,以对歌剧重唱审美教学的规律进行研究探讨。
[Abstract]:Duet is a kind of high level vocal performing art form, which is essentially based on the simultaneous singing performance of different singles on a work, and has a more changeable combination of vocal parts. Usually, the form of duet is duet, trio to trio, and so on. In addition, singers can form a variety of mixed duet according to their own timbre differences and gender differences, and so on. It can be said that the aesthetic effect of duet is more colorful and rich. Duet has been used in western opera performing art all the time, which plays an important role in regulating the color of contradiction and conflict for the development of western opera. At present, many researchers also focus on opera duet teaching and opera duet aesthetics. Based on this perspective, this paper makes some exploratory analysis on the internal aesthetic form of opera duet works, in order to study and discuss the law of aesthetic teaching of opera duet.
【作者单位】: 波兰克拉科夫音乐学院;内蒙古艺术学院音乐学院;

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相关硕士学位论文 前2条

1 徐立翔;论歌剧重唱的审美形态及其教学[D];湖南师范大学;2007年

2 曹超君;莫扎特歌剧重唱的音乐与戏剧关系研究[D];上海音乐学院;2009年



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