从承应制度看古代乐籍制度和西方赞助制度——以清代“侉戏”和“京剧”为例
发布时间：2019-08-06 07:54
【摘要】："承应"一词并非清代专有,但是相对于其他历史时期来说,"承应"在清代更加术语化,更加体系化。本文主要以探寻承应制度下的侉戏和京剧为例,并进一步阐述承应制度与古代乐籍制度下的轮值轮训制和西方赞助制度的关系。
[Abstract]:The word "inheriting" is not exclusive in Qing Dynasty, but compared with other historical periods, "Chengying" is more tacit and systematic in Qing Dynasty. This paper mainly takes the opera and Beijing opera under the system of tolerance as an example, and further expounds the relationship between the system of bearing and the system of rotation and rotation under the system of ancient music books and the system of sponsorship in the West.
【作者单位】： 四川音乐学院党委宣传部;山东鲁中学院;
【基金】：2015年四川省教育厅人文社科重点课题“从承应制度看中国古代乐籍制度和西方赞助制度——以清代侉戏和京剧为例”阶段性成果,项目编号:15SA0129
【分类号】：J617
，
本文编号：2523424
[Abstract]:The word "inheriting" is not exclusive in Qing Dynasty, but compared with other historical periods, "Chengying" is more tacit and systematic in Qing Dynasty. This paper mainly takes the opera and Beijing opera under the system of tolerance as an example, and further expounds the relationship between the system of bearing and the system of rotation and rotation under the system of ancient music books and the system of sponsorship in the West.
【作者单位】： 四川音乐学院党委宣传部;山东鲁中学院;
【基金】：2015年四川省教育厅人文社科重点课题“从承应制度看中国古代乐籍制度和西方赞助制度——以清代侉戏和京剧为例”阶段性成果,项目编号:15SA0129
【分类号】：J617
，
本文编号：2523424
本文链接：https://www.wllwen.com/wenyilunwen/xijuwudaolunwen/2523424.html
