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新中国时期福建“戏改”与传统剧目整理改编——以梨园戏《陈三五娘》为例

发布时间:2019-08-15 07:04
【摘要】:新中国初期的"戏改"运动是人们关注并颇有争议的重要问题,在同一时期的福建"戏改"是否也和全国其他地方及剧种一样被动摇了戏剧本体呢?文章以新发现的"戏改"资料梨园戏《陈三五娘》(1952年油印本)为主,从剧本与舞台、表演等各方面厘清"戏改"的部分真实面目,比较不同时期同一剧目的各个版本,着重于对戏曲中传统的精华保留与取舍的分析,并肯定当时新文艺工作者的艺术追求与成就,以及甚至于对现在传统剧目整理改编工作或可产生的影响与启示,以便对"戏改"问题做出更理性、全面地研究。
[Abstract]:The "drama reform" movement in the early days of the people's Republic of China was an important issue that people paid close attention to and controversial. Was Fujian's "drama reform" in the same period as other parts of the country and the drama Noumenon? Based on the newly discovered "Drama Reform" material "Chen Sanwu Niang" (1952 mimeographs), this paper clarifies some of the true faces of the "opera reform" from the aspects of script, stage, performance and so on, compares each version of the same play in different periods, focuses on the analysis of the retention and trade-off of the traditional essence in the opera, and confirms the artistic pursuit and achievements of the new literary and artistic workers at that time. And even to the current traditional repertoire collation and adaptation work may have the influence and enlightenment, in order to make a more rational and comprehensive study of the problem of "drama reform".
【作者单位】: 福建省艺术研究院;
【基金】:2013年度国家社科基金艺术学项目青年课题“泉州古老剧种梨园戏口述史”(项目编号:13CB087)阶段性成果之一
【分类号】:J809.2


本文编号:2526835

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