古筝作品《祀》的音乐创作与演奏分析

发布时间：2018-01-17 13:40

本文关键词：古筝作品《祀》的音乐创作与演奏分析　出处：《武汉音乐学院》2017年硕士论文　论文类型：学位论文

【摘要】：20世纪80年代中期至今,随着古筝演奏技术的日益丰富以及学筝人数的急剧增加,许多专业作曲家开始关注古筝曲的创作。这些作曲家所创作的古筝乐曲,在作曲技术运用、艺术意境和乐器技巧的发挥上都显得更加精到和专业,这些古筝创作乐曲的出现对于古筝演奏的技巧发展和艺术表现力的拓展有着非凡的意义,使这些古筝乐曲在弹奏技术运用和作曲技巧的结合方面体现出一种均衡和理性的趋势。《祀》是沈逸文于2012年创作的古筝作品,本文通过对《祀》的素材运用、曲式结构、音调定弦、和声色彩、演奏技巧等进行分析,从而探索作品的演奏方法,为作品的演奏提供一定的参考。本文包含以下三个章节的内容(除引言与结语):引言主要阐述本文的选题目的与意义,综述国内外研究现状。正文共三个部分:第一章对作品的创作背景及乐曲的曲式结构与定弦进行概述;第二章对作品中各个段落的和声色彩、演奏技巧等进行分析;第三章是通过作品的创作特征,探寻作品的音乐情感及表达。结语则对全文进行概括性总结。
[Abstract]:Since the middle of 1980s, with the increasingly rich playing techniques and the rapid increase in the number of students, many professional composers began to pay attention to the creation of zither music. In the composition technology application, the artistic conception and the musical instrument skill display all appears to be more refined and specialized. The emergence of these zither compositions is of great significance to the development of Guzheng performance skills and the development of artistic expression. The combination of playing techniques and composing techniques shows a trend of balance and rationality in these guzheng music. [sacrifice] is the Guzheng works created by Shen Yiwen in 2012. In this paper, the use of the material of "sacrifice", musical structure, tone string, harmony color, playing skills are analyzed to explore the performance method of the work. This paper contains the following three chapters (except the introduction and conclusion: introduction mainly describes the purpose and significance of this topic. The main body consists of three parts: the first chapter summarizes the background of the creation of the work and the musical composition structure and string; The second chapter analyzes the harmony color and playing skills of each paragraph in the works. The third chapter is to explore the music emotion and expression through the creation characteristic of the work.
【学位授予单位】：武汉音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J632.32

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