从元代声乐论著《唱论》看中国民族声乐的发展和传承

发布时间：2018-01-18 02:27

本文关键词：从元代声乐论著《唱论》看中国民族声乐的发展和传承　出处：《西北民族大学》2017年硕士论文　论文类型：学位论文

【摘要】：《唱论》是中国元代音乐家对声乐艺术进行分类研究的一部理论著作。其内容包括古代的歌唱家、音乐鉴赏、歌曲演唱技巧、声乐教育观念、歌唱审美等方面。是对元代及之前的歌唱表演现象的理论性归纳和总结。目前,对《唱论》的研究成果,主要以文本、戏曲、文学等方面的研究较多,而就《唱论》所体现的民族声乐技巧、声乐理论体系以及对后世声乐专著的传承尚不多见。因此,本文首先从中国民族声乐理论的角度对《唱论》的产生进行研究,主要运用音乐文献学的史料学方法和逻辑学法,对中国声乐发展脉络进行梳理,探论《唱论》产生的历史背景,揭示《唱论》在元代产生的必然性。其次,从《唱论》看民族声乐理论传承的角度进行研究,运用音乐史学中的史料学和音乐文献学中的版本学和校勘学方法,对《唱论》的作者生平进行考证、《唱论》现存版本源流进行鉴别分析,通过版本比较,追溯《唱论》古籍原貌,为研究《唱论》打下基础,对中国民族声乐理论有更加深入的认识。最后,从《唱论》看中国民族声乐发展的角度进行研究,运用宏观和微观的研究方法,对《唱论》在中国民族声乐下产生的作用进行分析,通过从整体到具体的结构关系梳理,尽可能还原中国民族声乐面貌。本文将《唱论》放在整个中国民族声乐史大背景下进行研究,初步勾勒了中国民族声乐的发展概况、中国民族声乐美学思想概况、元代民族声乐发展概况、元代民族声乐教育观念等宏观性的粗线条,研究了《唱论》在这些粗线条中的地位,注重研究该著作的"承前启后"作用,并且从多个层面阐释,较之前的研究成果更为全面;同时将《唱论》与中国民族声乐表演理论结合起来,研究其对后世声乐发展传承的借鉴意义,使研究成果更具有现实意义。
[Abstract]:Singing Theory is a theoretical work on the classification of vocal music art by Chinese Yuan Dynasty musicians. Its contents include ancient singers, music appreciation, singing skills and vocal education concepts. Singing aesthetics and other aspects. It is to the Yuan Dynasty and before the singing performance phenomenon of theoretical induction and summary. At present, on the "singing theory" research results, mainly in the text, drama, literature and other aspects of research. However, the national vocal music techniques, the vocal music theoretical system and the inheritance of later vocal music monographs are rare. Firstly, this paper studies the origin of "singing Theory" from the angle of Chinese national vocal music theory, and mainly combs the development of Chinese vocal music by using the historical materials method and logic method of music philology. This paper explores the historical background of the emergence of "singing theory", and reveals the inevitability of "singing theory" in Yuan Dynasty. Secondly, it studies the inheritance of national vocal music theory from the angle of "singing theory". By using the methods of edition and collation in the history of music history and music philology, the author's life and life of the author of "singing theory" are studied, and the source of the existing version of "singing theory" is identified and analyzed, and the comparison between the two versions is carried out. Tracing back to the original appearance of the ancient books, it lays a foundation for the study of the theory of singing, and has a deeper understanding of the theory of Chinese national vocal music. Finally, from the angle of viewing the development of Chinese national vocal music from the perspective of the theory of singing, the author makes a study on the development of Chinese national vocal music. By using macro and micro research methods, this paper analyzes the function of singing theory under the Chinese national vocal music, and combs the relationship from the whole to the concrete structure. This paper puts the "singing theory" under the background of the history of the whole Chinese national vocal music, and outlines the development of the Chinese national vocal music. The general situation of Chinese national vocal music aesthetic thought, the Yuan Dynasty national vocal music development general situation, Yuan Dynasty national vocal music education idea and so on the macroscopic rough line, has studied the "singing theory" in these rough lines position. Pay attention to the role of "connecting the past with the future" of the work, and explain it from many aspects, which is more comprehensive than the previous research results; At the same time, it combines the theory of singing with the theory of Chinese national vocal music performance, and studies its significance for the development and inheritance of vocal music in later generations, so that the research results have more practical significance.
【学位授予单位】：西北民族大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J616.2

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