苗族鼓藏节仪式音乐研究综述

发布时间：2018-01-19 19:12

本文关键词： 苗族鼓藏节仪式音乐研究综述　出处：《贵州民族研究》2017年11期 　论文类型：期刊论文

【摘要】：综观苗族整体文化研究,鼓藏节仪式历来为学界所重视,研究成果颇丰,然而以苗族鼓藏节仪式音乐为研究对象的研究成果却极其匮乏,亟待发展。本文主要是对1840年以来苗族鼓藏节仪式音乐研究成果的学术总结,笔者通过对所获文献资料的整理与研究,将苗族鼓藏节仪式音乐研究历程分为萌芽期(1840年之前)、初建期(1840—1949年)、发展期(1950—1999年)、拓展期(2000—2016年)四个阶段,分别从学术背景、学理渊源、学术内容、学术价值等方面对百余年来苗族鼓藏节仪式音乐研究历程进行梳理、归纳与总结,对研究现状与发展趋势进行评介。
[Abstract]:Looking at the study of the whole culture of the Miao nationality, the ceremony of the drum and Tibetan festival has always been attached importance to by the academic circles, and the research results have been quite abundant. However, the research results of the ceremony music of the Miao nationality drum and Tibetan festival as the research object are extremely scarce. This paper is an academic summary of the music research results of the Miao drum festival since 1840, the author through the collation and research of the literature. The course of the study on the ritual music of the Miao Drum Festival is divided into the budding period (before 1840, the initial period is 1840-1949, and the development period is 1950-1999). From the aspects of academic background, academic origin, academic content, academic value, etc., this paper sorts out the history of music research of the Miao Drum Festival in the past hundred years. Summarize and summarize the current situation and development trend of the research.
【作者单位】：贵州师范大学音乐学院;
【基金】：2014年度国家社科基金艺术学项目“苗族鼓藏节仪式音乐文化研究”(项目批准号:14ED 148)
【分类号】：J607
【正文快照】： 鼓藏节是苗族以血缘宗族为单位进行的大型祭祖仪式,仪式的展演始终为音乐所涵盖,将音乐置于苗族信仰与仪式语境中,研究其在苗族信仰体系中的内涵和意义,这对于研究苗族信仰体系而言是不可或缺的,迄今为止,涉及苗族鼓藏节仪式音乐研究的著述十分丰富,但是以苗族鼓藏节仪式音乐

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