浅析柴可夫斯基《第五交响曲》的音响平衡

发布时间：2018-01-21 09:46

本文关键词： 柴可夫斯基第五交响曲平衡库恩范式迁移　出处：《上海音乐学院》2016年硕士论文　论文类型：学位论文

【摘要】：彼得·伊里奇·柴可夫斯基是19世纪伟大的俄国作曲家、音乐教育家。他是浪漫主义时期最为重要的作曲家之一。他所创作的《e小调第五交响曲》(作品64)是其最著名的交响乐作品之一。然而交响乐团作为由乐手及其乐器组成的复杂有机体、其各项技术构成本身亦在遵循着范式迁移的原则进行不断翻番。作为乐队指挥,欲合理地调配现有技术条件下的各类乐器、有效地指导乐手正确地演绎音乐,须将谱而作曲家的指示熟谙于心,同时根据现有技术环境加以变通,方能更加接近作曲家的原意。本文在阐述作曲家个人及创作背景、库恩理论与范式迁移的前提下.着重探讨了在当下时代背景下如何更好地通过平衡交响乐团中各乐器演奏时的力度比例,从而更贴切地还原作品的原貌。
[Abstract]:Peter Irich Tchaikovsky was a great Russian composer in 19th century. Music educator. He was one of the most important composers of the Romantic period. He wrote Symphony 5th in E minor (Op. 64). Is one of its most famous symphonies. However, the Symphony Orchestra is a complex organism composed of musicians and their instruments. Its technical composition itself is also following the principle of paradigm shift to double. As a conductor of the band, to reasonably deploy all kinds of musical instruments under the existing technical conditions, effectively guide the musicians to correctly interpret music. The composer's instructions must be well understood and adapted according to the existing technological environment in order to be closer to the original intention of the composer. This article expounds the composer's personal and creative background. On the premise of the transfer of Kuhn's theory and paradigm, this paper focuses on how to balance the intensity ratio of the various instruments in the symphony orchestra under the background of the present era, so as to more appropriately restore the original appearance of the work.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J615

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