管窥近代中国新音乐在南洋的影响——以中国三大艺术团赴南洋巡演为例

发布时间：2018-01-21 21:17

  本文关键词： 新音乐 南洋巡演 中华歌舞团 武汉合唱团 中国歌舞剧艺社　出处：《艺术评鉴》2016年13期 　论文类型：期刊论文

【摘要】：中国的新音乐始于19世纪末20世纪初,是以学堂乐歌作为启蒙标志发展起来的,20年代才真正进入专业音乐创作时期。新音乐传入南洋亦是从此时开始,它的流传有多种途径,其中一些艺术团体(如中华歌舞团、武汉合唱团、中国歌舞剧艺社等)赴南洋的巡演是最主要的,影响也是最大的。本文旨在通过史实、史料的梳理,对当时艺术团体赴南洋巡演的情况及代表性作品进行分析,从而总结中国近代新音乐在南洋华侨中产生的深远影响。
[Abstract]:The new music in China began at the end of 19th century and the beginning of 20th century. It was only in the 1920s, when the school music was developed as a sign of enlightenment, that the new music really entered the period of professional music creation, and the introduction of new music into the Nanyang also began at this time. There are many ways to spread it, among which some artistic groups (such as Chinese Song and Dance Troupe, Wuhan Choir, Chinese Song and Dance Drama and Art Society) are the most important and the most influential. Combing the historical data, this paper analyzes the situation and representative works of the artistic group touring the Nanyang at that time, and sums up the profound influence of the new music in modern China on the overseas Chinese in the Nanyang.
【作者单位】： 云南艺术学院音乐学院;
【分类号】：J609.1
【正文快照】： “新音乐”这一概念,最早是由学堂乐歌时期的音乐家曾志_尢岢龅，

本文编号：1452554