调性设计的变异导致曲式组织的变体——材料与调性“连体化”的分析视角

发布时间：2018-02-11 12:57

本文关键词： 材料看头—调性看尾调性布局转调与离调明示与暗示主题变连接(主变连) 离调扩张句法内部的长度(离扩内)　出处：《天津音乐学院学报》2016年03期 　论文类型：期刊论文

【摘要】：在传统曲式分析当中,调性问题最容易被忽视。在分析中既不能将调性视为与结构规模的“同义语”,又不能脱离音乐材料孤立看待调性问题。在分析当中材料与调性互为“捆绑关系”,又与结构规模相伴,以乐句乐段为单位去看待调性组织,而不是三两小节就划分一个调性——在同一调性组织中,“不够规模的调性终止式无效”。所有这些调性分析的基础原则,应当引起足够的重视。否则,曲式分析则会变成“无原则的划界”,这种分析既与还原音乐创作无关,也会在大量的共性分析现象中迷失分析方向和分析目的,得出形形色色不同的曲式结论也就不足为奇了。
[Abstract]:In the traditional form analysis, The problem of tonality is most easily ignored. In analysis, tonality cannot be regarded as a "synonym" of structural scale, nor can it be viewed in isolation from musical materials. In the analysis, there is a "binding relationship" between the material and the tonality. And with the size of the structure, Look at the tonality in terms of the phrase, rather than dividing it into three or two subsections-- in the same tonality organization, "tonality terminations that are not large enough". All of these basic tenets of tonality analysis. We should pay enough attention to it. Otherwise, it will become "unprincipled demarcation", which has nothing to do with reducing music creation, and will also lose its direction and purpose in a large number of common analysis phenomena. It is not surprising to draw conclusions of various forms.
【作者单位】：中央音乐学院作曲系;
【分类号】：J614.3

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