增三和弦在调性音乐中的运用与演变

发布时间：2018-02-23 05:19

本文关键词： 增三和弦非结构因素不协和的延长对称化八度均分李斯特　出处：《中央音乐学院学报》2017年02期 　论文类型：期刊论文

【摘要】：历史上,增三和弦自形成以来,曾经历了不同身份的转变,在调性音乐向无调性发展过程中发挥了一定的推动作用。论文以增三和弦为切入点,通过回顾与梳理19世纪及其早期的增三和弦理论,同时对19世纪的相关实践进行重点研究,试图总结出其形成与发展的大体脉络,进而从这一侧面展示出该时期和声思维及调性观念的发展与演变。此外,由于增三和弦还能同某些20世纪音乐相联系,因此,对其历史发展脉络进行梳理,对于理解20世纪与19世纪音乐之间的继承、发展关系亦能起到一定的积极作用。
[Abstract]:In history, since its formation, it has experienced the transformation of different identities and played a certain role in promoting the development of tonal music to anatonism. By reviewing and combing the theory of increasing triplet in 19th century and its early days, and studying the relevant practice in 19th century, the author tries to summarize the general context of its formation and development. From this aspect, it shows the development and evolution of harmony thinking and tonality in this period. In addition, due to the addition of triplet can also be associated with some music in 20th century, therefore, the history of its development is combed. To understand the inheritance between 20th century and 19th century, the development of the relationship can also play a positive role.
【作者单位】：安徽师范大学音乐学院;
【基金】：安徽师范大学博士科研启动基金项目《李斯特和声语言的半音化历程》的阶段性成果,项目批准号:2014BSQDJJ27
【分类号】：J614

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