论曲破的源流

发布时间：2018-02-23 06:34

本文关键词： 大曲曲破源流曲体革新　出处：《中国音乐学》2017年04期 　论文类型：期刊论文

【摘要】：曲破是一种源于唐大曲的曲种,经改制而成为宋代音乐的特色品种。在宋代,有六十多个曲破的曲名可考,另有数十处与之相关的记录。曲破的结构既有一定规范,也具有多样的形态;依演出需要而呈现不同的功能。曲破具有丰富的艺术内容,包含乐器演奏、歌唱、舞蹈等形式。虽然曲破源于唐大曲的入破,在制作、表演、结构等方面和大曲有千丝万缕的关系,但是,宋代曲破不仅在艺术上代表了一种曲体革新,并且取代大曲而被广泛使用于仪式,具有重要的礼乐意义。
[Abstract]:Song break is a kind of song that originated from Tang Daqu, and has become the characteristic variety of song music by reforming its system. In Song Dynasty, there were more than 60 song names to be tested, and dozens of related records. The structure of song break has some standard. It also has a variety of forms; it has different functions according to the needs of the performance. It has rich artistic content, including musical instrument playing, singing, dancing and so on. Although it originated from the breaking of the Tang Dynasty, it is making and performing. The structure and other aspects are closely related to Daqu. However, the song break in the Song Dynasty not only represents a kind of innovation in the art, but also replaces Daqu and is widely used in ritual, which has important significance of etiquette and music.
【作者单位】：温州大学人文学院;
【分类号】：J609.2

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