德彪西钢琴作品《意象集》的和声、调式调性及结构特点分析

发布时间：2018-02-26 17:15

  本文关键词： 印象主义 德彪西 《意象集》 和声 调式调性 曲式结构　出处：《吉林艺术学院》2016年硕士论文　论文类型：学位论文

【摘要】：20世纪音乐可以说已经进入了一个多元化现代音乐的发展阶段,各种新思潮和新技法潜移默化地影响着这一阶段作曲家们的创作。他们打破了以往传统的和声和调性观念,和声不再注重其功能性,调性也不再是传统大小调的布局,配器方面也在不断变化。在这一进程中,印象主义风格是介于19世纪浪漫主义与20世纪现代音乐之间的重要发展阶段。德彪西是印象派音乐中首当其冲居于领袖地位的人物。印象主义追求的是音乐的色彩性,通过和声、调性、旋律、节奏以及音色等为音乐营造出某种气氛。在和声上,作曲家减弱和弦的功能性,增强其色彩性,并且运用各种和弦的不同结构(如大、小、增、减和弦、七和弦、九和弦)、和弦音的不同位置(原位和转位)以及排列方法(密集排列、开放排列或不同的重复法),有时将和弦置于不同音区使其产生不同的音响效果,也就是色彩上的变化。广泛地运用色彩性和弦,如高叠和弦、平行和弦、全音阶和弦等,此外,还运用持续音和音域跨度较大的和弦,时而在这些和弦中加入附加音,使其更具有印象主义风格。同时,通过调式调性增添音乐的色彩,例如,大量运用全音阶、中古调式以及具有东方色彩的五声调式等。通过以上手段,使印象主义音乐色彩不像古典、浪漫时期音乐那样黑白分明,而是凭借新的作曲技法和手段细致地表现出明暗交替的微妙变化,这也就是印象主义音乐的一大特点及风格。在德彪西一生的音乐创作中,钢琴音乐占据重要的地位,它以独特的表现内容和艺术创作手法成为传世的经典,将作曲家的印象主义音乐风格得以完美呈现。他最主要的两部《意象集》是钢琴音乐作品中的经典之作,因此,本文通过对德彪西的这两部作品的分析和研究,去了解德彪西,同时去感受印象主义音乐,去探究音乐历史的变迁。印象主义音乐的影响是深远的,德彪西的贡献是毋庸置疑的,印象派的历史虽然短暂,但印象主义音乐形成的体系是伟大的,带给后辈创作者的影响是不容忽视的,它为20世纪音乐开创了新元素。
[Abstract]:In 20th century, music could be said to have entered a stage of development of pluralistic modern music, in which various new trends of thought and new techniques had a subtle influence on the composers' creation. They broke with the traditional concepts of harmony and tonality. Harmony no longer focuses on its functionality, tonality is no longer the layout of traditional tunes, and orchestration is constantly changing. Impressionism style is an important stage between romanticism in 19th century and modern music in 20th century. Debussy is the leading figure in Impressionist music. Impressionism pursues the color of music. Creating an atmosphere for music through harmony, tonality, melody, rhythm, and timbre. In harmony, the composer weakens the functionality of the chord, enhances its color, and uses different structures of the chords (such as large, small, increased, etc.). Subtractive chords, seven chords, nine chords, different positions of chord sounds (in situ and translocation) and arrangement methods (dense arrangement, open arrangement or different repetition methods), sometimes placing the chords in different sound areas to produce different sound effects, That is, color changes. Color chords are widely used, such as high-fold chords, parallel chords, full-scale chords, etc., in addition to persistent and long-span chords, which are sometimes added to these chords, To make it more impressionistic. At the same time, to add color to music through the tonality of the tone, for example, the extensive use of the full scale, the medieval tone, and the five-tone style with oriental color, etc. Through the above means, So that Impressionist music colors are not as black and white as classical, romantic music, but with the new composition techniques and means meticulously show the subtle changes of light and dark alternating. This is one of the major characteristics and styles of Impressionist music. In Debussy's music creation, piano music occupies an important position. The composer's Impressionist music style can be presented perfectly. His two most important works, Image Collection, are classic works in piano music. Therefore, this paper analyzes and studies Debussy's two works to understand Debussy. At the same time, to feel Impressionist music, to explore the changes in music history. The influence of Impressionist music is profound, Debussy's contribution is beyond doubt, the Impressionist history is short, However, the system formed by Impressionist music is great, and its influence on the creators of later generations can not be ignored. It created a new element for music in 20th century.
【学位授予单位】：吉林艺术学院
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J624.1
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本文编号：1538959