对指挥在民族室内乐演奏中的地位和作用的思考

发布时间：2018-02-27 02:21

本文关键词： 民族室内乐华乐室内乐丝竹乐精致化个性化　出处：《中国音乐学院》2017年硕士论文　论文类型：学位论文

【摘要】：由于民族室内乐还是算是较新的乐种所以我们都统称他们为民族室内乐,所以我在的第一章就提到室内乐的现今发展概况,我们需要了解现今需求,才能知道指挥可以在哪方面上协助。第二章我对民族室内乐进行归类,指挥需要认识到什么类型的室内乐是有必要指挥,或什么类型是无需要指挥的。而民族室内乐与指挥的关系其实是因为现今的作品的演奏水平较高,所以需要指挥来协助演奏员。第三章则把指挥的效用分成“台上”与“台下”指挥所扮演的角色。第四章是我认为指挥在指挥室内乐最重要的一点“度”,也就是及时需要“控制”演奏员,及时需要“放开”演奏员自行演奏,这一观点也是指挥室内乐和大型乐队的最大分别。最后一章则是我对排练室内乐和对排练大型乐队时所要求的异同之处。我希望通过此论文,将书籍和前辈指挥们的学说汇总,对将来民族室内乐与指挥有所帮助与启发。
[Abstract]:Because national chamber music is still a relatively new kind of music, so we all call them national chamber music, so in the first chapter I mentioned the general situation of the present development of chamber music. We need to understand the needs of the present day. In order to know where the command can assist. Chapter two, I classify the national chamber music, command needs to realize what kind of chamber music is necessary to direct. Or what type of music does not need to be directed. And the relationship between chamber music and conductor is actually due to the high level of performance of today's works. The third chapter divides the effectiveness of the conductor into the roles played by the conductor on the stage and off the stage. Chapter 4th is what I think is the most important "degree" of conducting chamber music. Need "control" players in time, Need to "let go" the player to play on his own, This point of view is also the biggest difference between conducting chamber music and large bands. The last chapter is about the similarities and differences that I need to rehearse chamber music and rehearse large bands. To the future of the national chamber music and command to help and inspire.
【学位授予单位】：中国音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J615.2

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