当前位置:主页 > 文艺论文 > 音乐艺术论文 >

雷州“姑娘”歌的历史记忆——以“姑娘”歌第十代传承人谢莲兴的口述史为例

发布时间:2018-02-27 11:36

  本文关键词: 赵鼎 艺术表演形式 作梅 神歌 雷剧 口述史 东海岛 山乡风云 麻章 歌词内容  出处:《艺术评论》2016年02期  论文类型:期刊论文


【摘要】:正雷州半岛曾留下了许多贤臣名将的足迹,如北宋的寇准、苏轼、苏辙,南宋的李纲、赵鼎、李光等。在他们的影响下,雷州半岛在本土文化的基础上融入了较为系统、先进的中原文化;加之其特殊的地理位置,又与闽南移民文化、海洋文化和中原文化相交汇,最终逐步形成了现有的独特的雷州文化。雷州"姑娘"歌就是在这样的文化语境下,由雷州口头歌和对唱歌逐步发展起来的一种"为人歌唱、为人娱乐"的民间艺术表演形式[1]。"姑娘"歌以"歌
[Abstract]:Zhengleizhou Peninsula has left behind the footprints of many famous meritocracy, such as Kou Zhi of the Northern Song Dynasty, Su Shi, Su Zhe, Li Gang, Zhao Ding, Li Guang of the Southern Song Dynasty, etc. Under their influence, the Leizhou Peninsula has been integrated into a more systematic system on the basis of local culture. The advanced Central Plains culture, coupled with its special geographical location, intersects with Minnan immigrant culture, marine culture and Central Plains culture. Finally, the existing unique Leizhou culture was gradually formed. The "girl" song of Leizhou was a kind of "human singing" which was gradually developed from the oral songs of Leizhou and the singing of singing in such a cultural context. A form of folk art performance for human entertainment [1]. The song "girl" is called "song"
【作者单位】: 岭南师范学院;
【分类号】:J607


本文编号:1542507

资料下载
论文发表

本文链接:https://www.wllwen.com/wenyilunwen/yinlelunwen/1542507.html


Copyright(c)文论论文网All Rights Reserved | 网站地图 |

版权申明:资料由用户c8c4f***提供,本站仅收录摘要或目录,作者需要删除请E-mail邮箱bigeng88@qq.com