当前位置:主页 > 文艺论文 > 音乐艺术论文 >

景颇族“族性音调”与流行音乐的融合研究

发布时间:2018-02-28 20:04

  本文关键词: 景颇族 “族性音调” 流行音乐 融合 出处:《云南艺术学院》2017年硕士论文 论文类型:学位论文


【摘要】:21世纪以来,民族音乐学的研究趋向,正在从以研究传统音乐为主,逐渐拓展到研究宗教音乐、流行音乐的领域。越来越多的民族元素与流行相融合的音乐被大众接受、喜爱。融合之后的音乐,从小的说更容易被传唱,增加了民族的自豪感、认同感,往大的说能够使族群之间更加团结和睦。该论文以“景颇族‘族性音调’与流行音乐的融合研究”为出发点,通过具体的融合音乐范例进行分析,得出研究结论。景颇族风格的流行音乐,利用景颇族的“族性音调”与流行音乐的特征相互吸收、融合而成。景颇族的“族性音调”包括:景颇族典型风格的“歌腔”、标示性的“衬词”、具有代表性“乐器音色”以及典型的景颇族“语言”,流行音乐的特征包括:传播媒介、时尚性、新奇性等。早期的景颇族风格流行音乐以“编曲”为主,在尽量保留音乐“原样”的前提下,使其艺术手法更加规范,例如:李晴海老师编曲的景颇族民歌《景颇山上丰收乐》。由于民族元素太浓不利于传唱,而为了使其在族内更广泛的传唱,中期的景颇族风格流行音乐淡化了其民族的一些典型“族性音调”,例如:翁丽丽老师收集整理并演唱的《舂米歌》。近两年为了扩大流传范围,淡化了更多的“族性音调”,吸收了更多的流行元素,这一时期的景颇族风格流行音乐相对来说艺术手法更规范、更简洁,音乐的篇幅也更加短小,例如:进同干老师创作、孔会英老师演唱的《思念》。景颇族“族性音调”与流行音乐的融合,随着时间的推移,“族性音调”的淡化越来越多,吸收流行元素的成分越来越多。
[Abstract]:Since 21th century, the research trend of ethnomusicology has been gradually expanding from studying traditional music to studying religious music and pop music. More and more national elements and popular music have been accepted by the public. Love. After fusion of music, it is easier to be sung since childhood, increasing national pride, identity, On the other hand, it can make the ethnic groups more United and harmonious. This paper is based on the study of the fusion of Jingpo's' ethnic tones' with pop music, and analyzes them through concrete examples of fusion music. The conclusion of the study is that the popular music of the Jingpo nationality is assimilated by the characteristics of the "clan tone" and the pop music of the Jingpo nationality. The "clan tones" of the Jingpo people include the typical style of songs of the Jingpo people, the marked words of "contrast words", the representative "timbre of musical instruments" and the typical "language" of the Jingpo people. The characteristics of popular music include the media, Fashion, novelty, etc. The early Jingpo style of pop music was dominated by "composition", while keeping the music as "original" as possible, it made its artistic techniques more standardized. For example: teacher Li Qinghai's folk song of Jingpo nationality, "Jingpo Mountain Harvest Music". Because the ethnic elements are too strong to be sung, in order to make it more widely spread within the tribe, In the middle of the period, the Jingpo style of pop music played down some of the typical "ethnic tones" of the nation. For example, Miss Weng Li-li collected and sang "Pounding Rice songs." in the last two years, in order to expand the spread, More "clan tones" have been downplayed and more popular elements have been absorbed. The Jingpo style of pop music in this period was relatively more standardized and succinct, and the length of music was also shorter. For example, teacher Jin Tonggan created the music. "missing" by teacher Kong Huiying. The integration of "clan tones" and pop music among the Jingpo people, with the passage of time, more and more "clan tones" have been desalinated and more and more popular elements have been absorbed.
【学位授予单位】:云南艺术学院
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J607

【参考文献】

相关期刊论文 前10条

1 赵书峰;;“认同的力量”/“逃避统治的‘艺术’”--湘、粤、桂过山瑶音乐“族性歌腔”的文化隐喻[J];民族艺术研究;2016年06期

2 钟小勇;龚碧林;韩勋国;;景颇族传统音乐文化历史变迁研究[J];兰台世界;2015年15期

3 吴锦美;;论云南少数民族音乐与流行音乐结合的传承方式[J];学术探索;2012年07期

4 冯岚岚;;中国流行音乐对民族音乐的吸收运用[J];焦作大学学报;2012年02期

5 颜晓辉;;浅谈中国民族民间音乐与流行音乐的关系[J];音乐创作;2011年04期

6 陈曦;;试谈中国民族音乐与流行音乐的关系[J];青年文学家;2011年04期

7 朱雯s,

本文编号:1548745


资料下载
论文发表

本文链接:https://www.wllwen.com/wenyilunwen/yinlelunwen/1548745.html


Copyright(c)文论论文网All Rights Reserved | 网站地图 |

版权申明:资料由用户8f298***提供,本站仅收录摘要或目录,作者需要删除请E-mail邮箱bigeng88@qq.com