舒曼钢琴套曲《蝴蝶》的音乐创作特点及演奏分析

发布时间：2018-03-02 19:02

本文选题：舒曼　切入点：钢琴套曲《蝴蝶》　出处：《山东师范大学》2016年硕士论文　论文类型：学位论文

【摘要】：《蝴蝶》钢琴套曲的诞生,让人们意识到了钢琴作品独特的内容题材与新颖的音乐结构相结合的新形式,带给人们更加新鲜的表现方式。舒曼在音乐作品中把浪漫主义文学融合其中,以更自由的形式进行音乐创新。他的创作手法打破了理性的规范,注重内心的追求,将情感融入其中,把个人独特的艺术创作和魅力完美呈现出来。本文从音乐创作特点和演奏两方面来研究舒曼的钢琴套曲《蝴蝶》。由于《蝴蝶》的创作是舒曼根据让·保罗小说的最后一章《幼虫之舞》中的情节来谱写的,故套曲《蝴蝶》的研究和演奏分析更与文学紧密结合。正是由于《蝴蝶》的创作所具有的鲜明的文学性特点,笔者首先根据收集的资料和演奏体会详细阐述了《蝴蝶》中的每首标题小曲的旋律、节奏、力度、速度等音乐元素,分析其如何呈现出小说中的三个性格迥异的主人公和舞会上的各种场景,如何将音乐与文学完美的“联姻”。在演奏方面,结合自身的体会,充分发挥“想象”的作用,将想象与演奏相结合。在演奏技巧方面,将音色与力度的处理、旋律线的控制、八度演奏不同的处理、情感的调节等演奏难点进行了分析与探究。全文共分为三章进行了阐述。第一章从舒曼的艺术生涯和钢琴套曲《蝴蝶》的创作进行了叙述,对作曲家生平及其作品诞生的背景做了介绍;第二章对钢琴套曲《蝴蝶》的音乐创作特点进行了探究,分析了《蝴蝶》的创作中如何体现文学与音乐的“联姻”,从钢琴曲套曲的形式与题材内容的结合到“音乐诗话”的旋律、调性的转换、节奏的繁复多变等方面来分析音乐创作特点;第三章是对演奏部分的阐述,通过演奏中运用“想象”的作用和力度与音色的处理以及对《蝴蝶》演奏技术的难点和训练的分析,以此揭示如何更好地完成这部作品。论文通过对音乐创作的特点和演奏分析及技术难点的论述,探讨了舒曼钢琴套曲《蝴蝶》形式与内容的呈现,探索了演奏技术方面的相关问题,使这部作品的理论与技能两方面都得到有益的研究,为演奏这部作品提供更多的理论与实践的借鉴。
[Abstract]:The birth of "Butterfly" piano ensemble made people realize the new form of combination of unique content and novel music structure of piano works. In his musical works, Schumann integrates romantic literature and innovates music in a freer form. His creative techniques break the norms of reason and pay attention to the pursuit of his heart. To incorporate emotion into it, This article studies Schumann's piano ensemble "Butterfly" from the aspects of musical creation and performance. Because the creation of "Butterfly" is Schumann's work based on the novels of Jean Paul. In the last chapter, "Dance of the larva", Therefore, the study and performance analysis of the ensemble "Butterfly" is more closely combined with literature. It is precisely because of the distinctive literary characteristics of the creation of "Butterfly". First of all, according to the data collected and performance experience, the author elaborated the melody, rhythm, intensity, speed and other musical elements of each title song in Butterfly. It analyzes how it presents the three different characters of the protagonist in the novel and the various scenes at the dance, how to combine music and literature perfectly, and how to play the role of "imagination" fully in the aspect of playing, combining with one's own experience, and giving full play to the role of "imagination". The combination of imagination and performance. In terms of playing skills, the processing of timbre and intensity, the control of melody line, the different treatment of octave performance, The thesis is divided into three chapters. The first chapter describes Schumann's artistic career and piano ensemble "Butterfly". This paper introduces the life of the composer and the background of the creation of his works. The second chapter probes into the characteristics of the music creation of the piano ensemble Butterfly. This paper analyzes how to embody the "marriage" between literature and music in the creation of Butterfly, from the combination of the form and the subject matter of the piano music to the melody of the musical poem, and the transformation of the tone. The third chapter expounds the performance part, through the use of the role and intensity of "imagination" and the treatment of timbre, as well as the difficult points and training of the performance techniques of "Butterfly", the third chapter analyzes the characteristics of music creation in such aspects as the complexity and variety of rhythm. In order to reveal how to complete this work better, the paper discusses the presentation of the form and content of Schumann's piano ensemble "Butterfly" through the analysis of the characteristics of music creation and the analysis of performance and technical difficulties. This paper probes into the related problems of the performance technology, makes the theory and skill of this work both get beneficial research, and provides more theoretical and practical reference for the performance of this work.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J624.1

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