邵阳花鼓戏音乐元素在湖南民歌演唱中的展现

发布时间：2018-03-09 03:05

本文选题：邵阳花鼓戏　切入点：唱腔　出处：《云南艺术学院》2015年硕士论文　论文类型：学位论文

【摘要】：邵阳花鼓戏是湖南省地方小戏剧种之一，，它以戏曲形态最迟形成于清朝道光、咸丰年间，分为东路的“川调”、南路的“走场子戏”、西路的“小调”。邵阳花鼓戏也有其自己的唱腔规律，牌子、川调、小调都有着不同的演唱风格和特点。邵阳花鼓戏的音乐元素在湖南民歌演唱中的展现也是颇为丰富的。其唱腔在形成发展过程中经历了“二行当、三行当”、“祁剧花鼓戏班”、“成立花鼓剧团”三个时期，每个时期都有其演唱特点。邵阳花鼓戏的唱腔元素，比如湖南山歌中出现的徵商调式的川调；湖南民歌小调中出现了邵阳花鼓戏的丝弦小调；每逢元宵佳节舞龙灯时所唱的《舞龙灯》出现了邵阳花鼓戏中高腔的特点。在语言上演唱旋律性较强语言性较弱的民歌时个别的字可用邵阳地区方言进行演唱，可借鉴邵阳花鼓戏在语言咬字方面的特点加以修饰。在舞台表演身段技法在邵阳花鼓戏里可谓十分丰富，在湖南民歌演唱中演员的表演都可看到邵阳花鼓戏各行当身段技法的影子。通过研究邵阳花鼓的唱腔及其音乐元素在湖南民歌演唱中的展现，笔者认为在发扬民族唱法的同时切勿忘记邵阳花鼓戏以及其他地方戏曲，作为每个地方的特色戏曲剧种应该得到保护及传承。
[Abstract]:Shaoyang Huagu Opera is one of the local small dramas in Hunan Province. It was formed in the late form of opera in Daoguang of Qing Dynasty and Xianfeng period. Divided into East Road "Chuan Diao", South Road "Walk play", West Road "minor". Shaoyang Huagu Opera also has its own singing rules, brands, Sichuan tune, minor tune have different singing styles and characteristics. The musical elements of Shaoyang Flower Drum Opera are also quite abundant in Hunan folk songs. In the process of its formation and development, Shaoyang Huagu Opera has experienced three periods: "two trades, three professions", "Qi Opera Flower Drum Drama Class" and "Flower Drum Drama Troupe". Every period has its own singing characteristics. Shaoyang flower drum opera singing elements, such as Hunan folk songs in the sign of commercial tune of Sichuan tune, Hunan folk songs in minor, Shaoyang flower drum drama silk string minor; The "Dragon Dance Lantern" sung during the Lantern Festival of the Lantern Festival has the characteristics of a high accent in Shaoyang Flower Drum Drama. Individual words can be sung in the local dialect of Shaoyang when singing folk songs with stronger melodies and weaker language. Shaoyang flower drum drama can be used for reference in language pronunciation characteristics to be modified. In the stage performance techniques in Shaoyang flower drum play can be described as very rich, In Hunan folk song performance, the actors can see Shaoyang flower drum play in the shadow of different styles. By studying the singing and musical elements of Shaoyang Flower Drum in Hunan folk songs, the author thinks that while carrying forward the folk singing method, Shaoyang Flower Drum Opera and other local operas should not be forgotten. As a characteristic drama of every place, it should be protected and passed on.
【学位授予单位】：云南艺术学院
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J616.2

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