新疆风格音乐作品在电子管风琴上的音色编配

发布时间：2018-03-11 09:44

本文选题：电子管风琴　切入点：新疆民族乐器音色　出处：《新疆师范大学》2017年硕士论文　论文类型：学位论文

【摘要】：我国是一个拥有多民族文化的国家,而新疆自古以来就是多重文化的交汇地,新疆的音乐文化受中国音乐体系、波斯——阿拉伯音乐体系以及欧洲音乐三大音乐体系的共同影响作用,相互交流融合,音乐文化在交流中不断碰撞出新的火花,孕育出独特的具有民族音乐特色的多元化的新疆音乐文化,造就了丰富多彩的音乐文化,很多作曲家采用了新疆民族音乐的素材改编创作具有新疆民族风格的音乐作品。近几年,随着国产吟飞电子琴的研发技术的进步和名人效应的推动,电子管风琴的发展势头越发强劲,它的魅力在于新颖的手脚并用的演奏方式和音色节奏的强大编辑功能,但目前能在电子管风琴上演奏的新疆风格的音乐作品屈指可数;而电子管风琴琴体自带的音色节奏也以西方的乐器音色为主,中国民族乐器音色较少。站在新疆这片音乐文化肥沃的土壤上,利用电子管风琴进行新疆民族乐器音色的制作编配,通过效果器的调节和演奏手法的控制使其声音真实性和民族性更高。本文通过对取材于新疆维吾尔族传统音乐十二木卡姆元素,带有强烈的地域风格的交响诗作品《故乡》的分析。总结出双排键电子琴音色编配的一般性规律,深入分析乐队配器特点,对不同乐器演奏音域进行总结归纳并通过编配进行实践;总结出双排键电子琴作品中新疆民族乐器音色制作的方法,并通过对作品的演奏实践,阐述不同类型乐器演奏技法,做到更真实的还原现实乐器音色。对于研究和传播维吾尔族的音乐有很大的帮助,扩充了电子管风琴演奏的教材和曲目类别。通过电子管风琴与新疆民族音乐的碰撞去改编与创作,努力将传统新疆民族音乐文化中优秀的部分,保留、传承、发展下去并深入新疆各民族音乐的发掘与研究,在保留传统音乐的元素的同时,融合现代电子音乐的特点,进一步提升音乐创造能力,实践与理论相结合,提炼吸收民族音乐精华,创造出更多电子管风琴版的新疆民族传统音乐作品。
[Abstract]:China is a country with multi-ethnic cultures, and Xinjiang has been a meeting place of multi-cultures since ancient times. The music culture of Xinjiang is subject to the Chinese music system. Persia-Arab music system and the three major music systems in Europe have a common influence, exchange and fusion, music culture in the exchange of new sparks, The unique and diversified Xinjiang music culture with national music characteristics has created a rich and colorful music culture. Many composers have adapted Xinjiang folk music materials to create musical works with Xinjiang national style. In recent years, with the development of the research and development technology and the promotion of celebrity effect, The development of electronic organ is more and more strong, its charm lies in the novel hand and foot playing method and the powerful editing function of timbre rhythm, but there are only a few Xinjiang style music works that can be played on the electronic organ at present; On the other hand, the timbre rhythm of the electronic organ organ is also dominated by the timbre of the western musical instrument, while the timbre of the Chinese national musical instrument is relatively few. Standing on the fertile soil of Xinjiang's music culture, Using the electronic organ to make and match the timbre of Xinjiang national musical instruments, Through the adjustment of the effector and the control of the playing technique, the sound authenticity and nationality are higher. This article takes the traditional music of Xinjiang Uygur from the element of Mukam 12, An analysis of symphonic poem "hometown" with a strong regional style. It summarizes the general rules of the timbre matching of the double-row electronic harpsichord, and deeply analyzes the characteristics of the band orchestration. This paper summarizes and summarizes the different musical instruments playing range and practice through the arrangement, summarizes the methods of making the timbre of Xinjiang national musical instruments in the works of double-row keyboard electronic piano, and expounds the playing techniques of different types of musical instruments through the playing practice of the works. To achieve a more realistic restoration of the musical instrument timbre. For the research and dissemination of Uygur music has a lot of help, Expanded the teaching materials and categories of the electronic organ playing. Through the collision between the electronic organ and the Xinjiang folk music to adapt and create, and strive to preserve and inherit the outstanding part of the traditional Xinjiang folk music culture. While preserving the elements of traditional music, we should integrate the characteristics of modern electronic music, further enhance the ability of music creation, and combine practice with theory. Extract and absorb the essence of national music, create more electronic organ version of Xinjiang traditional music works.
【学位授予单位】：新疆师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J624.2

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