潘德雷斯基《荧光》创作技法探析

发布时间：2018-03-13 21:06

本文选题：潘德雷斯基　切入点：早期音乐作品　出处：《西安音乐学院》2016年硕士论文　论文类型：学位论文

【摘要】：克尔齐什托夫·潘德雷斯基,出生于波兰南部的一个小城镇德比卡,是活跃在当今21世纪新音乐创作领域当中著名的指挥家,作曲家,也是20世纪50年代后期现代音乐创作者中具有创造性和影响力的屈指可数的领袖人物之一,我国目前关于潘德雷斯基的学术研究,多半是以他早期创作时的音色、音响为主,对于他创作技法总结性的文章相比较少,本文将以作品《荧光》为例,深入分析作品当中的写作手法和复调技法,并对其创作当中惯用的一些写作手法加以总结。本文共分为四章,第一章主要介绍潘德雷斯基的生平及创作概览;第二章对潘德雷斯基写作上的一些惯用技法进行分析;第三章摘出其复调技法上的音响对位部分进行深入分析;第四章结语部分主要介绍潘德雷斯基早期创作对新音乐的影响和早期战争类作品创作风格里表达出来的哀伤。
[Abstract]:Kelzistov Panderski, born in Derby, a small town in southern Poland, is a famous conductor and composer active in today's new music creation in 21th century. In 1950s, he was also one of the few creative and influential leaders among the modern music creators. Most of the current academic research on Pendrawski in China is mainly based on the timbre and sound of his early creation. There are few articles summarizing his creative techniques. This paper will take "fluorescence" as an example to deeply analyze the writing techniques and polyphonic techniques in his works. This paper is divided into four chapters: the first chapter mainly introduces Pendrawski's life and creation overview, the second chapter analyzes some idiosyncratic techniques of Pandrawski's writing. The third chapter summarizes the sound matching part of the polyphonic technique, and the conclusion of chapter 4th mainly introduces the influence of Pandersky's early creation on the new music and the sadness expressed in the writing style of the early war works.
【学位授予单位】：西安音乐学院
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J614

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