蒙汉杂居区日常音乐实践的语境与认同——以土右旗文化大院《亲亲的二人台》歌曲演唱为例

发布时间：2018-03-14 08:05

  本文选题：日常音乐实践　切入点：曲目　出处：《中央音乐学院学报》2017年02期 　论文类型：期刊论文

【摘要】：近年来,民族音乐学界开始关注“音乐与认同”主题,并从不同研究路径结合田野个案进行分析。结合中国民族音乐学现状,去关注蒙汉杂居区民众日常音乐实践,可以看出:地方性的音乐实践在不同的文化语境中,通过不同的音乐实践主体呈现出不同层次的认同。这里的音乐细节与音乐风格,已经不再是单纯的音乐表象,而成为了一种地方文化认同、社会和文化意义的承载者。本文选取内蒙古土右旗“文化大院”作为研究场域,对其演绎的曲目进行分类,从而引申至文化认同、共同性及差异性的讨论。
[Abstract]:In recent years, the folk music circles began to pay attention to the theme of "music and identity", and analyzed from different research paths combined with field cases, combined with the current situation of Chinese ethnomusic, to pay close attention to the daily music practice of the people living in the mixed areas of Mongolian and Han. It can be seen that local music practice presents different levels of identity through different subjects of music practice in different cultural contexts. The details and styles of music here are no longer purely musical representations. This paper selects Tuyou Banner of Inner Mongolia as the research field, classifies its deductive repertoire, and then extends to cultural identity. Discussion of commonality and difference.
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本文编号：1610324