自由低音手风琴与流行手风琴在我国传播现状的比较研究

发布时间：2018-03-17 15:40

本文选题：自由低音手风琴　切入点：流行手风琴　出处：《西安音乐学院》2017年硕士论文　论文类型：学位论文

【摘要】：从19世纪末20世纪初传统手风琴传入我国,1908年出版有关手风琴的教科书,传统手风琴就扎根在我国并逐渐发展、普及。自由低音手风琴是在传统手风琴结构和功能的基础上,进行改革创新的时代性产物,它的出现满足了手风琴专业工作者们对手风琴艺术作品更高层次的追求。在音乐艺术多元化的趋势下,手风琴与流行音乐结合在一起影响和带动了传统手风琴的发展与改革,传统手风琴的音色、外形和作品创作都得到了相对的变化,流行手风琴就是这次手风琴多元化结合下的产物。二者一经传入我国都得到了良好的传播与发展,但由于二者传入我国时间、特点、发展与普及的差异导致了传播现状的不同。通过比较自由低音手风琴与流行手风琴在我国的传播现状,进行比较研究的具体论题。
[Abstract]:From 19th century to 20th century, the traditional accordion was introduced into our country. In 1908, the textbook on accordion was published. The traditional accordion was rooted in our country and gradually developed and popularized. The free bass accordion was based on the structure and function of the traditional accordion. The epoch product of reform and innovation satisfies the accordion professional workers' pursuit of a higher level of accordion art works. The combination of accordion and pop music has influenced and promoted the development and reform of the traditional accordion. The timbre, appearance and creation of the work of the traditional accordion have been relatively changed. The popular accordion is the product of this pluralistic combination of accordions. Both have been well spread and developed once they were introduced into China, but because of their time and characteristics, The difference between development and popularization leads to the difference of communication status. By comparing the communication status of free bass accordion and popular accordion in our country, the specific topic of comparative study is discussed.
【学位授予单位】：西安音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J624.3

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