舒曼《C大调幻想曲》（Op.17）探究

发布时间：2018-03-18 08:00

  本文选题：舒曼　切入点：《C大调幻想曲》　出处：《上海师范大学》2017年硕士论文　论文类型：学位论文

【摘要】：罗伯特·舒曼(Robert Schumann,1810—1856)是19世纪上半叶欧洲浪漫主义音乐的代表人物,这位出生于德国的作曲家、钢琴家、音乐评论家以其极富诗意幻想的音乐风格被称为“音乐诗人”。在舒曼一生的创作中,钢琴音乐是其中不可或缺的部分。《C大调幻想曲》(Op.17)创作于1836-1838年之间,是舒曼钢琴音乐中具有承上启下作用的一部重要作品。本文以《C大调幻想曲》Op.17作为研究对象,通过分析这部作品的音乐文本和演奏体会,力求更深层次的了解舒曼钢琴作品的音乐风格。
[Abstract]:Robert Schumannn (1810-1856) was a representative of European Romantic music in the first half of 19th century, a German-born composer and pianist. Music critics are called "music poets" for their poetic style of music. Piano music is an indispensable part of Schumann's life. < Fantasia in C major > Op. 17) was written between 1836 and 1838. Schumann piano music is an important work of connecting the preceding and the following. This paper takes Fantasia in C major as the research object, and analyzes the musical text and performance experience of this work. Strive for a deeper understanding of the music style of Schumann's piano works.
【学位授予单位】：上海师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J624.1
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本文编号：1628675