诗性:音乐审美的一种维度——从维柯《新科学》“诗性”理论引发的思考

发布时间：2018-03-19 13:07

本文选题：音乐艺术　切入点：维柯　出处：《艺术百家》2017年03期 　论文类型：期刊论文

【摘要】：维柯在其所著《新科学》中将"诗性"作为具有人类文化学意指的学理化核心词。当下,"诗性"概念已被广泛运用于文学审美讨论中,而将"诗性"运用于音乐审美,也是一种审美阐释路径。文章重点对音乐审美中的"诗性"及相关要素进行学理性探讨,以力求揭示音乐的诗性审美能够兼具对音乐本体切实合理的解读,及其在音乐主体丰厚的智慧底蕴之上的本真呈现。
[Abstract]:Vico, in his New Science, regards "poetic" as the core word of science and chemistry with the meaning of human culturology. At present, the concept of "poetic" has been widely used in the discussion of literary aesthetics, while "poetic" has been applied to the aesthetic of music. It is also a way of aesthetic interpretation. This article focuses on the discussion of the "poetic" and related elements in music aesthetics, in order to reveal that the poetic aesthetic of music can be interpreted in a practical and reasonable way to the music itself. And its original presentation on the basis of the rich wisdom of the music subject.
【作者单位】：福建师范大学音乐学院;
【基金】：2016年度福建省社会科学规划一般项目“对李斯特钢琴作品《旅行岁月》中呈现“虚实”表现手法的阐释研究”(项目编号:FJ2016B212)阶段性成果之一
【分类号】：J601

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