音乐表演观念与表演实践关系解析

发布时间：2018-03-19 15:11

本文选题：表演　切入点：音乐表演　出处：《艺术百家》2017年03期 　论文类型：期刊论文

【摘要】：音乐表演观念与表演实践应该是相辅相成的关系。但现实中此种关系不甚清晰和明确。既有的音乐表演观念仅将其范围指向西方艺术音乐范畴,人们似乎默认了西方音乐表演观念是给定的"原初"存在。虽然西方艺术音乐表演观念和实践有一套完善的理论和表演体系,但它只是人类不同音乐表演观念之一种。随着人类表演学学科的发展,各种表演观念的理论成果为音乐表演观念与实践的研究提供了更为开阔的视野和领域,也为探索人类不同的音乐表演观念的思想历史提供了可能。从人的存在方式而言,表演是人与人之间表达和交流沟通的重要生存方式之一,它涉及人类社会生活的各个方面。表演的实质是引起注意,抒发情感,引发议论(包括评价),形成交流,达到目的。如果忽视了这一基本前提和事实,音乐表演观念和实践只能在一个狭小的范围内自我重复,更不可能建立以自身文化为母体的音乐表演观念和理论体系。因而探索人类不同的音乐表演观念与表演实践的特殊存在方式,是音乐理论研究者、音乐表演者及观众共同的责任。
[Abstract]:The concept of musical performance and performance practice should complement each other, but in reality this kind of relationship is not very clear and clear. The existing musical performance concept only points its scope to the western artistic music category. People seem to acquiesce to the existence of a given "primordial" concept of Western musical performance, although the concept and practice of Western artistic musical performance have a complete set of theories and performance systems. However, it is only one of the different musical performance concepts. With the development of the subject of human performance science, the theoretical achievements of various performance concepts provide a wider field of vision and field for the study of musical performance concept and practice. It also provides the possibility to explore the ideological history of different concepts of human musical performance. In terms of the way people exist, acting is one of the most important ways to express and communicate between people. It involves all aspects of human social life. The essence of the performance is to attract attention, express emotion, arouse discussion (including evaluation, form communication, achieve the purpose). If this basic premise and fact is ignored, The concept and practice of musical performance can only be repeated in a narrow range. It is even less possible to establish a musical performance concept and theoretical system based on one's own culture. Therefore, it is a researcher of music theory to explore the special existence of different musical performance concepts and practices of human beings. The joint responsibility of the musical performer and the audience.
【作者单位】：南京艺术学院;中央音乐学院音乐学研究所;
【基金】：2015年度文化部文化艺术科学研究项目“20世纪中国音乐表演观念与实践研究”(项目编号:15DD30)阶段性成果之一
【分类号】：J604.6

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