非遗保护视阈下当代藏羌原生民歌之观众拓展探究

发布时间：2018-03-20 22:56

  本文选题：藏羌原生民歌　切入点：观众拓展　出处：《音乐创作》2017年07期 　论文类型：期刊论文

【摘要】：随着时代环境的变化,当代少数民族原生民歌的创作及演唱已在传统基础上有了很多变化,而其受众的审美特征亦日趋挑剔日益挑剔,这样的情况注定会对受众的拓展方式提出更高的要求。基于非遗保护视阈,对藏羌原生民歌的观众拓展进行探索,既可以拉近与受众之间的审美距离,让更多人认知、接受,亦是对藏羌原生民歌的传承与保护。该项研究对于藏羌原生民歌这类非物质文化遗产而言,是关于继承与创新的思索;对于其他民族原生民歌的艺术表现而言,也是很好的经验及借鉴。
[Abstract]:With the change of the environment of the times, the creation and singing of the native folk songs of contemporary ethnic minorities have changed a lot on the basis of tradition, and the aesthetic characteristics of their audiences are becoming more and more picky and picky. Such a situation is bound to put forward higher demands on the way of expanding the audience. Based on the perspective of non-posthumous protection, the exploration of the audience expansion of Tibetan and Qiang native folk songs can not only narrow the aesthetic distance between the audience and the audience, but also enable more people to recognize and accept it. It is also the inheritance and protection of Tibetan and Qiang native folk songs. This study is a reflection on inheritance and innovation for intangible cultural heritage such as Tibetan and Qiang native folk songs, and for the artistic expression of native folk songs of other nationalities, Also is very good experience and draw lessons from.
【作者单位】： 四川音乐学院民族声乐系;四川音乐学院艺术学理论系;
【基金】：四川省教育厅资助科研项目 省属高校科研创新团队项目:“藏羌原声民歌的创新研究与应用”;项目编号:15TD0035~~
【分类号】：J607
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本文编号：1641161