“琴棋书画杂考”之二——古琴弦数考略

发布时间：2018-03-22 17:58

本文选题：古琴　切入点：琴弦　出处：《文化遗产》2017年01期 　论文类型：期刊论文

【摘要】：琴是中国古代流传最为广泛的乐器之一,根据文献记载和考古文物资料,中国历史上至少出现过"无弦、一弦、两弦、三弦、五弦、七弦、九弦、十弦、十二弦、十三弦、十五弦、二十弦、二十五弦、二十七弦"等十四种弦数的古琴形制,其中又以五弦琴制和七弦琴制流行较广。特别是七弦琴,在先秦时期已经出现,两汉魏晋南北朝时期在使用的普遍性上虽略逊五弦琴一筹,但到了唐代,古琴演奏便完全成为七弦琴的天下,并一直影响、沿用至今。众多古琴弦制的存在,使我们从一个侧面认识到古琴发展历史的复杂性,对于纠正过往音乐史研究中的一些偏失亦有一定帮助。
[Abstract]:Qin is one of the most widely used musical instruments in ancient China. According to literature records and archaeological relics, there are at least "no strings, one string, two strings, three strings, five strings, seven strings, nine strings, ten strings, twelve strings, thirteen strings" in Chinese history. Fifteen strings, twenty strings, 25 strings, 27 strings, etc., 14 kinds of ancient harp forms, of which five-string and seven-string are popular. In particular, seven-stringed harps have already appeared in the pre-Qin period. In the Han, Wei, Jin, Southern and Northern dynasties, although the general use of the five-stringed piano was slightly inferior, by the Tang Dynasty, the Guqin performance became the world of the seven-stringed piano, and it has been influenced and used to this day. Many ancient string systems exist. It makes us realize the complexity of Guqin's development history from one aspect, and it is also helpful to correct some bias in the study of music history in the past.
【作者单位】：中山大学中国非物质文化遗产研究中心;《南方都市报》;
【分类号】：J632.31

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