音乐表演中的虚实研究

发布时间：2018-03-22 20:31

本文选题：音乐表演　切入点：虚　出处：《山西师范大学》2017年硕士论文　论文类型：学位论文

【摘要】：中国古代艺术理论范畴中的虚与实,是一个宇宙世界观的问题,是一个哲学问题,是物质与意识、思维与存在的问题,也是个方法论的问题。艺术中虚的部分是它的精神性和审美性,是艺术的精髓所在,实的部分是它的物质实体,这个实体部分却是又可以分出虚实层次。画面的空白是虚,而色彩是实;音乐中的中断是虚,而连续是实;舞蹈中的动是实,而静是虚等等。虚实论源于道家的有无论,如“无声之乐”、“大音希声”、“大象无形”等观念,其本意并不是要取消艺术的形式,而是提醒人们回归到顺其自然的状态,不是“无为”,而是“不妄为”,是在遵循自然的前提下“有所为,有所不为”。道家和儒家的思想并不矛盾,对于虚实的认识,他们有着惊人的相似。儒家的美学思想和道家的美学思想各有侧重,儒家看重艺术的伦理价值,道家重视艺术的审美价值,他们殊途同归于至善尽美的天人合一、知行合一、情景合一的结构之中。本文的讨论重点在音乐表演中的虚实,虚与实是中国艺术思想的核心部分,是标示中国古代艺术活动的辩证特性的范畴。虚实结合最能体现中国古代艺术活动的辩证特性,是最具抽象性和概括性的认识论范畴。创作主体的虚实指创作者的虚心、心境等心理状态和现实的生活等具体实践活动。运用虚实辩证的观点看问题有助于开阔我们的想象空间。虚与实的思想是我们传统艺术最重要的审美原则之一,被广泛运用于绘画、雕刻、园林、建筑、书法、戏剧、音乐等艺术门类之中。本文就是通过我们古代的虚实理论思想运用到音乐表演的艺术实践中,寄希望能有新的体会和收获。从“虚”和“实”的角度对音乐表演美学进行探索,从这个更加抽象的意义上对这一命题进行研究,笔者相信将有助于丰富音乐这门学科的内涵。
[Abstract]:The hypocrisy and reality in the theory of ancient Chinese art is a question of the universal worldview, a philosophical problem, a matter of matter and consciousness, a problem of thinking and existence. It is also a problem of methodology. The empty part of art is its spiritual and aesthetic nature, the essence of art, the real part is its material entity, but this part of the entity is able to distinguish the level of virtual reality. The blank of the picture is empty. The color is reality; the interruption in music is virtual, and the continuity is reality; the movement in dance is reality, while the silence is virtual. The theory of nihilism stems from Taoist concepts such as "silent music", "loud voice hope", "elephant intangibility" and so on. Its intention is not to abolish the form of art, but to remind people to return to the state of letting nature go by. It is not "doing nothing", but "not doing anything", "doing something under the premise of nature." There is no contradiction between Taoism and Confucianism, and they are amazingly similar to each other in their understanding of reality. The Confucian aesthetic thought and the Taoist aesthetic thought have their own emphasis, and Confucianism values the ethical value of art. The Taoists attach great importance to the aesthetic value of art, and they share the same goal in the structure of the unity of nature and man, the unity of knowledge and action, and the unity of scene. The discussion in this paper focuses on the virtual reality in music performance, which is the core part of Chinese artistic thought. It is the category that indicates the dialectical characteristic of ancient Chinese artistic activity, the dialectical characteristic of Chinese ancient art activity can be best reflected by the combination of deficiency and reality, and the category of epistemology with the most abstract and generality. Mental state such as state of mind and practical activities such as real life. Using the dialectical viewpoint of "empty reality" is helpful to broaden our imagination space. The idea of "empty" and "reality" is one of the most important aesthetic principles of our traditional art. Is widely used in painting, sculpture, garden, architecture, calligraphy, drama, music and other artistic categories. From the angle of "empty" and "reality", this paper explores the aesthetics of musical performance and studies this proposition in a more abstract sense. The author believes that it will be helpful to enrich the connotation of the subject of music.
【学位授予单位】：山西师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J604.6

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