从乐器、乐谱、律制管窥潮州音乐“海丝”传播

发布时间：2018-03-24 00:10

  本文选题：潮州音乐　切入点：“海丝”　出处：《星海音乐学院学报》2017年04期

【摘要】：各民族音乐的乐器形制、所采用的乐谱、律制均有其独特性和系统性,它们之间一般不能直接混用,但音乐文化的传播又促使其趋同或分异,而从音乐文化趋同的案例也可反推其来源与传播现象。文章根据一组越南乐器命名方式的特例探讨其受潮州音乐影响的可能性,又从新加坡发现的潮州古筝特有的"二四谱"推断潮州音乐曾经传播到新加坡;并根据潮州音乐存在"七平均律"现象,泰国、缅甸、柬埔寨、老挝、新加坡等东南亚国家的某些器乐也存在着大体上为七平均律的现象,以及潮汕人自古就曾多批次移民到东南亚各国的史实,论证潮州音乐曾伴随潮人移民传播到东南亚各国并已成为当地音乐文化的组成部分。
[Abstract]:The folk music of the construction of musical instruments, music, law system has its unique and systematic, between them can not be directly mixed, but the spread of music culture and promote their convergence or divergence, and music from the cultural convergence case can also deduce the origin and spread of the phenomenon. According to the special case of a group of Vietnam the instrument to study the possibility of naming by Chaozhou musical influences, and from Singapore found Chaozhou Zheng unique "24 spectrum" from the music of Chaozhou has spread to Singapore; and according to the Chaozhou music "seven average law" phenomenon, Thailand, Burma, Kampuchea, Laos, some instrumental Singapore and other Southeast Asian countries also exist in seven the average law phenomenon, and Chaoshan people since ancient times had many batches of immigrants to Southeast Asian countries history, music accompanied the demonstration of Chaozhou immigrants spread to East Asia countries trendsetter and has become It's part of the local music culture.

【作者单位】： 韩山师范学院体育学院;
【基金】：广东省哲学社会科学“十二五”规划2015年度学科共建项目“潮汕文化海上丝绸之路传播研究——以英歌舞等为切入点”(GD15XYS14) 广东省教育厅人文社科重点攻关项目“潮汕文化海外传播研究”(2013ZGXM0007)
【分类号】：J607
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本文编号：1655823